Provenance
Gary S. Davis
Results
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Artwork
Lafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in Desolation Angels —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956.
Lafcadio & Peter Orlovsky their apartment in San Francisco Potrero Hill 5 Turner Terrace — Peter had brought his younger brother to stay with us and go to High School a year earlier, Kerouac wrote about these “Darlovsky Brothers” in Desolation Angels —we took off later for Mexico with Gregory Corso to visit Kerouac same year 1956.
Allen Ginsberg
1956, printed later
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Artwork
Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley
Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley
Allen Ginsberg
1956, printed later
Not on view -
Artwork
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Artwork
All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II Howl, Supermarket in California, & Sunflower Sutra, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956.
All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II Howl, Supermarket in California, & Sunflower Sutra, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956.
Allen Ginsberg
1956, printed later
Not on view -
Artwork
Lafcadio & Peter Orlovsky at kitchen table, Peter's apartment 5 Turner Terrace, a veteran's housing Project near a gigantic gas tank on Potrero Hill. 23 year old Peter brought Lafcadio, age 15, to Bay Area to stay with us, relieve his mother Kate in Northport, L.I., where Lafcadio knew Kerouac, and had visions of becoming a millionaire (and building a private space-ship to get off Nuked Planet Earth to another world) by answering dozens & dozens of get-rich-quick home-sales ads ("Earn $800.00 a day selling special Fish-bait oil by Telephone!") in pulp magazines' back pages. next Laf quit Jr. High School to bicycle downtown S.F. for dishwashing job--"One of the best periods of his life, getting his first whiff of work, money, independence, he was sparking up, got three social security cards, the F.B.I. came round to investigate" . . .
Lafcadio & Peter Orlovsky at kitchen table, Peter's apartment 5 Turner Terrace, a veteran's housing Project near a gigantic gas tank on Potrero Hill. 23 year old Peter brought Lafcadio, age 15, to Bay Area to stay with us, relieve his mother Kate in Northport, L.I., where Lafcadio knew Kerouac, and had visions of becoming a millionaire (and building a private space-ship to get off Nuked Planet Earth to another world) by answering dozens & dozens of get-rich-quick home-sales ads ("Earn $800.00 a day selling special Fish-bait oil by Telephone!") in pulp magazines' back pages. next Laf quit Jr. High School to bicycle downtown S.F. for dishwashing job--"One of the best periods of his life, getting his first whiff of work, money, independence, he was sparking up, got three social security cards, the F.B.I. came round to investigate" . . .
Allen Ginsberg
1956, printed 1995
Not on view -
Artwork
Robert LaVigne, Painter friend of Poets, visiting 1010 Montgomery Street – see Kerouac's portrait of LaVigne as “Levesque” in Desolation Angels, “Robert Browning” in Big Sur. We’d all lived together on Gough Street & later Hotel Weatley thou Peter & I moved to Montgomery Street North Beach, where I wrote Howl in this room, S.F. 1955
Robert LaVigne, Painter friend of Poets, visiting 1010 Montgomery Street – see Kerouac's portrait of LaVigne as “Levesque” in Desolation Angels, “Robert Browning” in Big Sur. We’d all lived together on Gough Street & later Hotel Weatley thou Peter & I moved to Montgomery Street North Beach, where I wrote Howl in this room, S.F. 1955
Allen Ginsberg
1955, printed later
Not on view -
Artwork
Neal Cassady and his love of that year the star-cross’d Natalie Jackson conscious of their rôles in Market Street Eternity: Cassady had been prototype for Jack Kerouac’s 1950 On the Road saga hero Dean Moriarty, as later in 1960’s he’d taken the driver’s wheel of Ken Kesey’s psychedelic-era day-glo painted Merry Prankster crosscountry bus “Further.” Neal’s illuminated American automobile mania, “unspeakably enthusiastic” friendship & erotic energy had already written his name in brightlit signs of our literary imaginations before movies were made imitating his charm. That’s why we stopped under the marquee to fix the passing hand on the watch, San Francisco, maybe March 1955.
Neal Cassady and his love of that year the star-cross’d Natalie Jackson conscious of their rôles in Market Street Eternity: Cassady had been prototype for Jack Kerouac’s 1950 On the Road saga hero Dean Moriarty, as later in 1960’s he’d taken the driver’s wheel of Ken Kesey’s psychedelic-era day-glo painted Merry Prankster crosscountry bus “Further.” Neal’s illuminated American automobile mania, “unspeakably enthusiastic” friendship & erotic energy had already written his name in brightlit signs of our literary imaginations before movies were made imitating his charm. That’s why we stopped under the marquee to fix the passing hand on the watch, San Francisco, maybe March 1955.
Allen Ginsberg
1955, printed 1996
Not on view -
Artwork
Peter’s friend Henry Schlacter from S.F. Community College, Kerouac’s buddy Al Sublette & Peter Orlovsky in Foster’s Cafeteria under Hotel Weatley on Polk & Sutter, “Polk Gulch”, we all rendez-vous’d hours & hours, living in neighborhood. Robert LaVigne made many sketches & group portrait oil tableaux small and large with mirror-reflected tables & visages of ourselves, Cassady, Natalie, etc. that season, San Francisco early 1955.
Peter’s friend Henry Schlacter from S.F. Community College, Kerouac’s buddy Al Sublette & Peter Orlovsky in Foster’s Cafeteria under Hotel Weatley on Polk & Sutter, “Polk Gulch”, we all rendez-vous’d hours & hours, living in neighborhood. Robert LaVigne made many sketches & group portrait oil tableaux small and large with mirror-reflected tables & visages of ourselves, Cassady, Natalie, etc. that season, San Francisco early 1955.
Allen Ginsberg
1955, printed 1994
Not on view -
Artwork
Neal Cassady with cigarette young & vigorous age 29 with salesman surveying North Beach used car lot, he needed new wheels. Bay Area Johnny Appleseed of pot from early 1950’s, he worked as conductor on Southern Pacific Railroad, averted train crash as brakeman years earlier, breaking his ankle, collected insurance, bought his family a ranch-house in Los Gatos down the peninsula, gambled madly & disastrously at horse racetrack, wrote painfully in pencil on his “The First Third” autobiographical manuscript, visited me overnight in rooms on Polk and Montgomery Streets, San Francisco, sometime March 1955.
Neal Cassady with cigarette young & vigorous age 29 with salesman surveying North Beach used car lot, he needed new wheels. Bay Area Johnny Appleseed of pot from early 1950’s, he worked as conductor on Southern Pacific Railroad, averted train crash as brakeman years earlier, breaking his ankle, collected insurance, bought his family a ranch-house in Los Gatos down the peninsula, gambled madly & disastrously at horse racetrack, wrote painfully in pencil on his “The First Third” autobiographical manuscript, visited me overnight in rooms on Polk and Montgomery Streets, San Francisco, sometime March 1955.
Allen Ginsberg
1955, printed later
Not on view -
Artwork
Robert LaVigne, painter at 1010 Montgomery Street, San Francisco 1955, see Levesque in Desolation Angels, Robert Browning in Big Sur. We all lived on Gough Street, later in Hotel Wentley. He lives & paints in Seattle 1988, great artist.
Robert LaVigne, painter at 1010 Montgomery Street, San Francisco 1955, see Levesque in Desolation Angels, Robert Browning in Big Sur. We all lived on Gough Street, later in Hotel Wentley. He lives & paints in Seattle 1988, great artist.
Allen Ginsberg
1955, printed later
Not on view -
Artwork
Peter Du Peru, Neal Cassady & Natalie Jackson horsing around, maybe Sunday walk, above Broadway Tunnel, Neal playing hookey from his family in Los Gatos. Du Peru, eccentric North Beach remittance man was seen by Kerouac (Desolation Angels) as "Richard de Chili, the Mysterious...with his low-spoken incomprehensible remarks." Natalie bewildered by amphetamine jumped off her roof to death a year late. March 1955.
Peter Du Peru, Neal Cassady & Natalie Jackson horsing around, maybe Sunday walk, above Broadway Tunnel, Neal playing hookey from his family in Los Gatos. Du Peru, eccentric North Beach remittance man was seen by Kerouac (Desolation Angels) as "Richard de Chili, the Mysterious...with his low-spoken incomprehensible remarks." Natalie bewildered by amphetamine jumped off her roof to death a year late. March 1955.
Allen Ginsberg
1955, printed 1995
Not on view
