Provenance
Gary S. Davis
Results
-
Artwork
A modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 1961
A modest portrait, Allen Ginsberg and Gregory Corso, camera in Peter Orlovsky's hand, our room down-street from Bill Burroughs' Villa Muniria, Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
-
Artwork
Gregory Corso, Paul Bowles, William Burroughs, behind him shades of Ian Summerville, Cambridge mathematics student, Bill’s cut-up tech assistant, and Michael Portman, eighteen-year-old Public School aristocrat admirer of Naked Lunch, the two staying in rooms adjacent to Bill’s, both early deceased — here under the wall of Bill’s garden. All took cameras out beneath blue sky, bright sunny day, Villa Muniria, Tangier August 1961.
Gregory Corso, Paul Bowles, William Burroughs, behind him shades of Ian Summerville, Cambridge mathematics student, Bill’s cut-up tech assistant, and Michael Portman, eighteen-year-old Public School aristocrat admirer of Naked Lunch, the two staying in rooms adjacent to Bill’s, both early deceased — here under the wall of Bill’s garden. All took cameras out beneath blue sky, bright sunny day, Villa Muniria, Tangier August 1961.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Peter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier
Peter Orlovsky's clear inquiring eye in sunlight, Gregory Corso visiting our room, Tangier
Allen Ginsberg
1961, printed later
Not on view -
Artwork
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961
G. Corso & P. Orlovsky hanging around Bill Burroughs' room Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Peter Orlovsky legs crossed mysterious-haired, W.S. Burroughs with camera & hat shading Mediterranean sun, Myself white pants earnest, Alan Ansen...visiting from Venezia to help type new apocalyptic cut-up overflow material from Naked Lunch, Gregory Corso sunglasses & Minox’d, a gambler at casino, Ian Sommerville assisting sound-collage electronics & stroboscope alpha-rhythm. Dream Machine experiments with Bill B. & Brian Gysen then in town, Paul Bowles squinting in bright / mid-day light seated on ground, all assembled outside Bill’s single room, Villa Muniria Garden, / my camera in Michael Portman’s hands, Tangier March-July 1961.
Allen Ginsberg
1961, printed 1989
Not on view -
Artwork
Bill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk.
Bill Burroughs with camera in his room Villa Muniria Tangier 1961. His writing desk.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Strong Gregory Corso Tangier 1961, The loner.
Strong Gregory Corso Tangier 1961, The loner.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Peter O. sleeping in our small room Tangier 1961. Did "Sex Experiments" there.
Peter O. sleeping in our small room Tangier 1961. Did "Sex Experiments" there.
Allen Ginsberg
1961, printed later
Not on view -
Artwork
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Me asleep, snapped by Peter Orlovsky in our little whitewash-walled room Tangier 1961
Allen Ginsberg
1961, printed later
Not on view -
Artwork
William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye
William S. Burroughs slightly zonked, his dooryard-garden wall Villa Muneria, looking at me suspiciously, "Who are you an Agent for?" He "traced back along word-lines," cut-up technique of anti-brainwash language analysis, inquiring sources of my mental conditioning, perhaps Liberal Professor Trilling, perhaps "a trust of giant insects from another Galaxy" conspiring to make Nova Conditions on our Planet, exterminate HomoSap the Human animal so another life-form, virus invasion, move in on the Turf, such like poetries on his mind. Timothy Leary visited from Harvard, we took small amount of psilocybin, Bill shut himself inside his garden gate with a wave of his hand, allergic, paranoia season. Peter Orlovsky departed alone, ship to Athens, Bill employed for Scandinavia L.S.O. Conference leaving Gregory Corso and myself waving him goodbye
Allen Ginsberg
1961, printed 1995
Not on view -
Artwork
Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961
Paul Bowles preparing mint tea on our arrival at the market area souk center of the medina, we took train from Tangier, stayed a week in his travel friend Christopher Wanklyn's household, Marrakech, Morocco, July 20, 1961
Allen Ginsberg
1961, printed 1989
Not on view