Provenance

Jeffrey E. Horvitz

American, born 1950

Explore selected works

See all 28 works of art
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Profile Head of a Woman Wearing a Fanciful Headpiece

Etienne de Lierres · c. 1890/1900 · embossed wallpaper sample(?), touched with oil paint and metallic paints, varnished, and mounted on wood ·  Accession ID  2021.53.9

Pirro Ligorio, Diana and Apollo Slaughtering the Children of Niobe, c. 1550, red chalk, squared with black chalk and indented for transfer, on two joined sheets of laid paper, Gift of Jeffrey E. Horvitz, 2008.117.3

Diana and Apollo Slaughtering the Children of Niobe

Pirro Ligorio · c. 1550 · red chalk, squared with black chalk and indented for transfer, on two joined sheets of laid paper ·  Accession ID  2008.117.3

Giovanni Battista Tiepolo, The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso), c. 1726, pen and brown ink with brown wash over black chalk; unrelated (?) touches of red chalk on laid paper, New Century Fund, 2008.46.1

The Sacrifice of Iphigenia (recto) / Study of a Male Nude (verso)

Giovanni Battista Tiepolo · c. 1726 · pen and brown ink with brown wash over black chalk; unrelated (?) touches of red chalk on laid paper ·  Accession ID  2008.46.1

Louis-Nicolas van Blarenberghe, Cavalry Battle by a River, 2nd half of the 18th century, gouache on vellum, laid down on an old mount, Gift of Jeffrey E. Horvitz, 2017.159.5

Cavalry Battle by a River

Louis-Nicolas van Blarenberghe · 2nd half of the 18th century · gouache on vellum, laid down on an old mount ·  Accession ID  2017.159.5

Anne-Louis Girodet de Roussy-Trioson, Agnès Entering a Grotto, c. 1790/1800, black chalk with touches of white chalk and charcoal(?) on laid paper, laid down on a decorative mount, Gift of Jeffrey E. Horvitz, 2021.53.6

Agnès Entering a Grotto

Anne-Louis Girodet de Roussy-Trioson · c. 1790/1800 · black chalk with touches of white chalk and charcoal(?) on laid paper, laid down on a decorative mount ·  Accession ID  2021.53.6

This painting depicts two people seated in an outdoor setting. The person on the left appears to be a woman with pale skin and long golden hair, wearing draped clothes in shades of lilac and teal. Her left arm is resting on a rock, and she holds a tall, thin cross. The person on the right sits on the other side of the gray rock, leaning towards the woman. They have white wings, pale skin, and short, curly brown hair. They wear a detailed red and gold garment over a long white robe. A small chalice and a closed book lie between the two people on the ground. In the background on the left there are tall, dark trees, while on the right are rolling green and blue hills under a bright blue sky with fluffy white clouds.
Claude Vignon, Mary Magdalene Comforted by an Angel, 1626, oil on panel, Gift of Jeffrey E. Horvitz, 2017.159.2

Mary Magdalene Comforted by an Angel

Claude Vignon · 1626 · oil on panel ·  Accession ID  2017.159.2

Victor-François-Eloi Biennourry, Porta San Lorenzo, Rome, mid-19th century, watercolor and graphite on blue wove paper, mounted on an album sheet, Gift of Jeffrey E. Horvitz, 2017.159.3

Porta San Lorenzo, Rome

Victor-François-Eloi Biennourry · mid-19th century · watercolor and graphite on blue wove paper, mounted on an album sheet ·  Accession ID  2017.159.3

Francesco Allegrini, Christ in Glory with Angels and a Saint Kneeling in Adoration, c. 1650/1660, red chalk on light tan laid paper (artist’s correction for the figure of Christ, redrawn on an attached piece of laid paper), Gift of Jeffrey E. Horvitz, 2021.53.1

Christ in Glory with Angels and a Saint Kneeling in Adoration

Francesco Allegrini · c. 1650/1660 · red chalk on light tan laid paper (artist’s correction for the figure of Christ, redrawn on an attached piece of laid paper) ·  Accession ID  2021.53.1

Giulio Benso, The Assumption of the Virgin with Two Bishops and Other Figures, 1610s?, pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on a decorative mount, Gift of Jeffrey E. Horvitz, 2021.53.2

The Assumption of the Virgin with Two Bishops and Other Figures

Giulio Benso · 1610s? · pen and brown ink with brown wash over traces of black chalk on laid paper, laid down on a decorative mount ·  Accession ID  2021.53.2

Marguerite Gérard, The Child and the Bulldog, 1778, etching on laid paper, Jeffrey E. Horvitz Fund and Katharine Shepard Fund, 2013.110.1

The Child and the Bulldog

Marguerite Gérard · 1778 · etching on laid paper ·  Accession ID  2013.110.1