Allen Ginsberg
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Artwork
Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984.
Robert Frank, inquisitive private look not unkind, patient, "Maybe I could show you something too." Kiev Restaurant, 2'nd Avenue & 7th Street, March 7, 1984.
Allen Ginsberg
1984
Not on view -
Artwork
Wedding party, New York Municipal Building Marriage Chambers, waiting room-- second row Simon Pettet poet bridegroom, eternal flower child Rosebud Feliu bride, her son Harley Flanagan of Cro-Mags and his friend Manon Brière, maid of honor with glasses; front row Luc Sante essayist, Maria Saavedra and her fiancé best man Steven Taylor, mid-day, August 1984.
Wedding party, New York Municipal Building Marriage Chambers, waiting room-- second row Simon Pettet poet bridegroom, eternal flower child Rosebud Feliu bride, her son Harley Flanagan of Cro-Mags and his friend Manon Brière, maid of honor with glasses; front row Luc Sante essayist, Maria Saavedra and her fiancé best man Steven Taylor, mid-day, August 1984.
Allen Ginsberg
1984
Not on view -
Artwork
Robert Frank, his Bleeker [sic] Street house New York January 1984, old Polaroid 195 gives negative, portrait for my Collected Poems 1947-1980 back-jacket--Peter Orlovsky present snapped us both that hour.
Robert Frank, his Bleeker [sic] Street house New York January 1984, old Polaroid 195 gives negative, portrait for my Collected Poems 1947-1980 back-jacket--Peter Orlovsky present snapped us both that hour.
Allen Ginsberg
1984
Not on view -
Artwork
Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984.
Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984.
Allen Ginsberg
1984
Not on view -
Artwork
Francesco Clemente and Julius Orlovsky (Peter's brother) visiting East 6th Street Ramana Maharshi storefront ashram, Lower East Side New York Fall 1984. For Francesco from Allen Ginsberg
Francesco Clemente and Julius Orlovsky (Peter's brother) visiting East 6th Street Ramana Maharshi storefront ashram, Lower East Side New York Fall 1984. For Francesco from Allen Ginsberg
Allen Ginsberg
1984
Not on view -
Artwork
Francesco Clemente, artist, & C.T. Nachiappan (his printer host in Madras at Kalakshetra Press -- Hanuman Editions) at Kiev restaurant on Second Avenue and 7th Street
Francesco Clemente, artist, & C.T. Nachiappan (his printer host in Madras at Kalakshetra Press -- Hanuman Editions) at Kiev restaurant on Second Avenue and 7th Street
Allen Ginsberg
1984, printed 1990
Not on view -
Artwork
Francesco Clemente, painter inspired by Wm. Blake, looking over album I'd scribed for his watercolor illumination, his loft overlooking Great Jones Street Manhattan. He liked this picture, October 1984
Francesco Clemente, painter inspired by Wm. Blake, looking over album I'd scribed for his watercolor illumination, his loft overlooking Great Jones Street Manhattan. He liked this picture, October 1984
Allen Ginsberg
1984, printed 1990
Not on view -
Artwork
Elvin Jones, New Smyrna Beach, Florida, late May 1984, Robert Frank's Polaroid #195 camera he let me use. We were all teaching together at Atlantic Center for the Arts.
Elvin Jones, New Smyrna Beach, Florida, late May 1984, Robert Frank's Polaroid #195 camera he let me use. We were all teaching together at Atlantic Center for the Arts.
Allen Ginsberg
1984
Not on view -
Artwork
I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984
I sat for decades at morning breakfast tea looking out my kitchen window, one day recognized my own world the familiar backyard, a giant wet brick-walled undersea Atlantis garden, waving ailanthus (“stinkweed”) “Trees of Heaven,” with chimney pots along Avenue A topped by Stuyvesant Town apartments’ upper floors two blocks distant on 14th Street, I focus’d on the raindrops along the clothesline. “Things are symbols of themselves,” said Chögyam Trungpa Rinpoche. New York City August 18, 1984
Allen Ginsberg
1984
Not on view
