Provenance

Osuna Galleries

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In this black and white photograph, a woman wearing a black dress leans toward an arched mirror set into a wall, so we see the woman twice in this double portrait. We are situated slightly below her so we look up at the woman, who gazes down and to our right. The surface of the wall is smooth but lightly textured, like adobe. Trees reflected in the mirror indicate that this is outdoors. The woman in front of us takes up the left half of the composition. She faces our right in profile and leans to our right, at the far edge of the mirror. Her dark hair is pulled up in ribbon entwined braids. She wears long, chandelier style earrings and her high-necked black dress has puffed, lace sleeves. We see her face straight on in the mirror’s reflection. The woman’s distinctive brows knit together over her rounded nose.
Lola Álvarez Bravo, Frida Kahlo, c. 1944, gelatin silver print, Corcoran Collection (Gift of Mr. Robert Lennon and Mr. Ramon Osuna in Memory of Gene Baro.), 2015.19.4322

Frida Kahlo

Lola Álvarez Bravo · c. 1944 · gelatin silver print ·  Accession ID  2015.19.4322

Lola Álvarez Bravo, Mar de Ternura (Sea of Tenderness), c. 1945, gelatin silver print, Corcoran Collection (Gift of Mr. Robert Lennon and Mr. Ramon Osuna in memory of Gene Baro.), 2015.19.4323

Mar de Ternura (Sea of Tenderness)

Lola Álvarez Bravo · c. 1945 · gelatin silver print ·  Accession ID  2015.19.4323

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Untitled

Robert Stackhouse · 1972 · carved oak and pine ·  Accession ID  2019.109.77

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Grid Twenty-Two

Thomas Downing · 1970 · acrylic on canvas ·  Accession ID  2015.19.175

Manon Cleary, Manon and Randy, 1977, graphite on wove paper, Gift of R.L. Lennon in memory of Rush Lennon, 2019.43.1

Manon and Randy

Manon Cleary · 1977 · graphite on wove paper ·  Accession ID  2019.43.1

Luigi Sabatelli I, Daniel's Vision, 1809, etching, Gift of Ramón Osuna, 2016.178.1

Daniel's Vision

Luigi Sabatelli I · 1809 · etching ·  Accession ID  2016.178.1

Robert Stackhouse, Untitled #5, 1971, watercolor over graphite on wove paper, Gift of Bob Stana and Tom Judy, 2019.109.68

Untitled #5

Robert Stackhouse · 1971 · watercolor over graphite on wove paper ·  Accession ID  2019.109.68

Luigi Sabatelli I, Et vidi alium angelum fortem... (The Angel of the Apocalypse Appearing to Saint John), 1809/1810, etching, Anonymous in memory of Gaillard Ravenel, 2016.177.1

Et vidi alium angelum fortem... (The Angel of the Apocalypse Appearing to Saint John)

Luigi Sabatelli I · 1809/1810 · etching ·  Accession ID  2016.177.1

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Untitled #3

Robert Stackhouse · 1971 · watercolor over graphite on wove paper ·  Accession ID  2019.109.69

A winged woman has hoisted a young, muscular man up and across one shoulder in this freestanding bronze statue. In this view, the woman runs toward us, her back foot lifted, as she wraps her arms around the man’s thighs. She looks off to our left, her hair swept up. Long, narrow wings slice into the space behind her. Her chest and shoulders are covered with gold armor, and drapery swirls around her legs. The man is nearly nude, covered only with a cloth across his groin. His arms are flung wide, one reaching high in the air and the other holding a broken sword by the woman’s shoulder. His head lolls to one side, his lips parted. A laurel branch lies at the woman’s foot on a small mound textured like a rock. An inscription on the front rim of the base reads “GLORIA VICTIS.”
Marius-Jean-Antonin Mercié, Gloria Victis, model c. 1874, cast after 1879, bronze, Andrew W. Mellon Fund, 1985.52.1

Gloria Victis

Marius-Jean-Antonin Mercié · model c. 1874, cast after 1879 · bronze ·  Accession ID  1985.52.1