Provenance

Clarence H. Mackay

1874 - 1938

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See all 21 works of art
Tyrolean 15th Century, Portrait of a Man, c. 1490/1500, oil on panel, Samuel H. Kress Collection, 1952.5.71

Portrait of a Man

Tyrolean 15th Century · c. 1490/1500 · oil on panel ·  Accession ID  1952.5.71

Venetian 17th Century, Tiziano Aspetti, Andiron with Figure of Venus, c. 1600/1675, bronze, Samuel H. Kress Collection, 1961.9.101

Andiron with Figure of Venus

Venetian 17th Century, Tiziano Aspetti · c. 1600/1675 · bronze ·  Accession ID  1961.9.101

Seen from the lap up, a woman wearing a marine-blue robe over a crimson-red dress holds a nude baby boy on her lap in this vertical painting. Both people have smooth, pale, peachy skin. The woman sits with her body angled to our left and she looks down at or toward the baby. Her blond hair is pulled back with a blue ribbon or covering at the back of her head. She has delicately arching eyebrows, a long, straight nose, and her small pink lips are closed. The moss-green underside of her blue robe is visible where it turns back over her wrists and around her neck. Her red dress is edged with black along the squared neckline and tied at the waist with a black band. She supports the seated baby with her right hand, on our left, and holds her other hand at the ready near his legs. The baby sits angled to our right, toward the woman, but he turns to look over his shoulder to our left. His blond hair falls to a point over his forehead. He has delicate features with light brown eyes, a small, pointed nose, and a small, pink mouth. He also has pudgy, baby-like cheeks, tummy, arms, and legs. The horizon of the landscape behind the pair comes about three-quarters of the way up the panel, behind the woman’s shoulders. Hazy blue mountains, trees, and the suggestion of a town with buildings and a church spire line the horizon in the deep distance beneath a pale blue sky.
Pietro Perugino, Madonna and Child, c. 1500, oil on poplar panel, Samuel H. Kress Collection, 1939.1.215

Madonna and Child

Pietro Perugino · c. 1500 · oil on poplar panel ·  Accession ID  1939.1.215

Anonymous Artist, Bust of a Warrior, 1850/1870, terracotta, Samuel H. Kress Collection, 1943.4.74

Bust of a Warrior

Anonymous Artist · 1850/1870 · terracotta ·  Accession ID  1943.4.74

The sculpture depicts a woman holding a child. The woman is seen from the waist up, wearing a gold robe with black details. Both the woman and child have pale skin with rosy cheeks, golden hair, and red lips in neutral expressions. The child is a young toddler, portrayed naked, with his arms on the woman's shoulders and his feet among the folds of her robe. The sculpture has a rectangular base in red and gold.
Florentine 15th Century, Madonna and Child, c. 1425, painted and gilded terracotta with wood backing, Samuel H. Kress Collection, 1943.4.93

Madonna and Child

Florentine 15th Century · c. 1425 · painted and gilded terracotta with wood backing ·  Accession ID  1943.4.93

The sculpture is a bust of a woman, focusing on her head and shoulders. She has a high forehead with slightly curling hair pulled back under a smooth cap. Her face includes thin eyebrows, a long nose, a slightly cleft chin, and lips set in a neutral expression. Her eyes are blank, without a visible pupil or iris. Her clothing appears to be an intricately detailed dress, featuring floral patterns and slightly puffed sleeves. The sculpture is carved from a smooth, light-colored material.
Italian 15th Century, A Lady, 1475/1485, marble, Samuel H. Kress Collection, 1939.1.326

A Lady

Italian 15th Century · 1475/1485 · marble ·  Accession ID  1939.1.326

Shown from the waist up, a young woman embraces a baby in this vertical painting. They both have peachy skin, reddish-blond hair, and round faces. The woman is angled to our left and almost takes up the height of the painting. She looks down with gray eyes through lowered lids, under slender, arched brows. She has a straight nose and her pale pink lips are closed. Barely visible, a thin dotted white line spans her brow. A few loose, copper-colored tendrils frame her face under an azure-blue mantle that drapes over her head, shoulders, and arms. Under the mantle she wears a brick-red robe with a stylized, plant-like pattern in gold on the upper bodice and the cuff we can see. Her left elbow, on our right, rests on a sage-green ledge that runs along the bottom edge of the composition, and that hand dangles over the child’s leg. Her other hand curves around the baby’s back. The child is turned to our right to face the woman. He is wrapped in a cloak the same red as the woman's robe, and it has a thin gold border. He sits on a kelly-green cushion resting along the left side of the ledge. His head is turned to gaze off to our right with large hazel eyes under thin brows. He has a button nose and a rosy flush around his small pink mouth, which is slightly open. His right hand dips into the woman’s neckline while the other arm embraces her neck. His right leg stretches out toward her so one pudgy foot peeks out from under the red cloth. The horizon of the landscape behind them comes halfway up the painting. Sloping fields are dotted with trees. Low hills are ice blue in the hazy distance along the horizon, and the sky above is nearly white near the mountains, deepening to pale blue along the top edge.
Antonello da Messina, Madonna and Child, c. 1475, oil and tempera on panel transferred from panel, Andrew W. Mellon Collection, 1937.1.30

Madonna and Child

Antonello da Messina · c. 1475 · oil and tempera on panel transferred from panel ·  Accession ID  1937.1.30

Shown from the knees up, a woman holds a baby in her lap in front of a clear blue sky in this vertical painting. The woman and baby both have smooth, pale skin with rosy cheeks and flat, disk-like halos at the backs of their heads. The woman’s body is angled to our left, and she looks down and smiles faintly at the baby she holds on her lap. Her blond hair is mostly covered by a gathered and ruffled white headdress. Her forest-green robe is lined with topaz blue, and it falls over her shoulders and across her lap over a ruby-red, long-sleeved dress. The white garment beneath the dress is visible along an open seam down the arm we can see, and the front of the dress is pleated vertically from the high waist. The woman supports the baby’s back with one hand and one of his feet with her other. He has curly blond hair, round cheeks, and delicate features. He reaches for the woman with both chubby hands. A slate-blue cloth drapes over his shoulders and is tied with twisted red fabric. A gray band across the bottom of the panel suggests they sit on the far side of a stone ledge. A ridge of trees along a hill in the deep distance is visible along the left edge of the composition, and the sky above deepens from watery blue along the horizon to azure blue across the top. The surface of the painting is cracked in some areas, especially in the sky.
Italian 15th Century, Madonna and Child, c. 1470/1480, tempera on poplar panel, Samuel H. Kress Collection, 1943.4.1

Madonna and Child

Italian 15th Century · c. 1470/1480 · tempera on poplar panel ·  Accession ID  1943.4.1

Venetian 17th Century, Andiron with Figure of Mars, c. 1600/1675, bronze, Samuel H. Kress Collection, 1961.9.100

Andiron with Figure of Mars

Venetian 17th Century · c. 1600/1675 · bronze ·  Accession ID  1961.9.100

Pier Francesco Fiorentino, Madonna and Child, c. 1475, tempera on panel transferred to canvas, Samuel H. Kress Collection, 1939.1.214

Madonna and Child

Pier Francesco Fiorentino · c. 1475 · tempera on panel transferred to canvas ·  Accession ID  1939.1.214

Bibliography

1938

  • "Clarence Mackay Dies at Home Here After Long Illness." The New York Times, 13 November 1938: 1, 46.