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Pace Gallery

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This painting features three small, rounded squares of paint against a blank canvas background. The paint in the squares is a gradient from dark gray to white; in two of the squares, the gradient is horizontal, while in the third it is vertical. The paint squares are all arranged around the edge of the canvas, with one in the top right corner, one in the center of the bottom edge, and one halfway up the left side.
Lee Ufan, Dialogue, 2011, oil on canvas, Patrons' Permanent Fund and Gift of Milly and Arnie Glimcher, 2022.83.1

Dialogue

Lee Ufan · 2011 · oil on canvas ·  Accession ID  2022.83.1

Alfred Leslie, Pace Prints, Montauk, 1991, aquatint and soft-ground etching in black on wove paper, Gift of the Collectors Committee, 1992.106.1

Montauk

Alfred Leslie, Pace Prints · 1991 · aquatint and soft-ground etching in black on wove paper ·  Accession ID  1992.106.1

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Personnage mi-corps (Waist Figure)

Jean Dubuffet, Galerie Jeanne Bucher · 1967 · color screenprint on polyvinyl-chloride relief ·  Accession ID  2015.19.3370

Jean Dubuffet, La dame au pompon, 1946, mixed media and oil on canvas, Chester Dale Fund, 1986.11.1

La dame au pompon

Jean Dubuffet · 1946 · mixed media and oil on canvas ·  Accession ID  1986.11.1

This drawing is made up of seven panels arranged in a horizontal line that all show a detailed black and white panorama of the United States Capitol building, captured from a distance. The dome of the building is captured in the central panel, while the rest of it extends to the left and the right. The far right and left panels don't contain any of the building and show only the surrounding landscape. All of the columns, windows, doorways, and decorative engravings are captured in extreme detail. The sky behind the building is dark, with a few light gray clouds. The foreground features the black silhouettes of trees, partially obscuring the bottom of the building. There is a small amount of space between each panel, creating vertical white lines that divide the drawing. “
Robert Longo, The Whale (The United States Capitol), 2012-2013, charcoal on seven sheets of paper mounted to aluminum, Gift of Clifford Ross, Photograph courtesy of the artist, 2023.6.1.a-g

The Whale (The United States Capitol)

Robert Longo · 2012-2013 · charcoal on seven sheets of paper mounted to aluminum ·  Accession ID  2023.6.1.a-g

Lucas Samaras, Mirrored Cell, drawn 1969, constructed 1988, mirror over wood, Gift of the Collectors Committee, 1989.73.1

Mirrored Cell

Lucas Samaras · drawn 1969, constructed 1988 · mirror over wood ·  Accession ID  1989.73.1

Alfred Jensen, Twelve Events in a Dual Universe, 1978, oil on canvas, Gift of the Collectors Committee, 2007.35.1

Twelve Events in a Dual Universe

Alfred Jensen · 1978 · oil on canvas ·  Accession ID  2007.35.1

Alfred Leslie, Pace Prints, Montauk, 1991, aquatint and soft-ground etching in black on wove paper, Gift of the Collectors Committee, 1992.106.2

Montauk

Alfred Leslie, Pace Prints · 1991 · aquatint and soft-ground etching in black on wove paper ·  Accession ID  1992.106.2

The sculpture depicts a large object with a round red base and a white handle with a small hole in the center. Large tassels extend upwards out of the handle. The tassels or bristles are long, thin, and blue, extending upwards and outwards. The sculpture uses vibrant contrasting colors. The setting is outdoors amidst green grass with a backdrop of trees showing shades of oranges, yellows, and browns.
Coosje van Bruggen, Claes Oldenburg, Typewriter Eraser, Scale X, model 1998, fabricated 1999, painted stainless steel and fiberglass, Gift of The Morris and Gwendolyn Cafritz Foundation, 1998.150.1

Typewriter Eraser, Scale X

Coosje van Bruggen, Claes Oldenburg · model 1998, fabricated 1999 · painted stainless steel and fiberglass ·  Accession ID  1998.150.1

Abstract forms in white, outlined with bold black lines, turn, twist, and curve up around a person with cartoon-like features in this free-standing sculptural piece. The shapes create legs and are pierced with holes, like an abstracted coral reef. The forms are bright white with thick black outlines around all the edges and crossing the curves and angled sides of the forms. In this photograph, it is not possible to see if a vaguely H-shaped section to our left is attached to or stands independently from the row behind it. A person with abstracted eyes, nose, and mouth stands in front of the sculpture, to our right. In this photograph, the sculpture stands on a plinth in a room with a wood floor and a white wall behind it.
Jean Dubuffet, Site à l'homme assis, 1969-1984, polyester resin, Gift of Robert M. and Anne T. Bass and Arnold and Mildred Glimcher, in Honor of the 50th Anniversary of the National Gallery of Art, 1991.100.1

Site à l'homme assis

Jean Dubuffet · 1969-1984 · polyester resin ·  Accession ID  1991.100.1