Provenance

R. E. Lewis

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See all 133 works of art
Giovanni Pietro Possenti, Hercules and Antaeus, etching, Ailsa Mellon Bruce Fund, 1973.54.8

Hercules and Antaeus

Giovanni Pietro Possenti · · etching ·  Accession ID  1973.54.8

Max Slevogt, Camel Rider, 1924, lithograph in black on wove cream paper, Gift of Ruth Cole Kainen, 2012.92.479

Camel Rider

Max Slevogt · 1924 · lithograph in black on wove cream paper ·  Accession ID  2012.92.479

Honoré Daumier, Clémence de Minos, 1843, lithograph on wove paper, Ailsa Mellon Bruce Fund, 1993.2.2

Clémence de Minos

Honoré Daumier · 1843 · lithograph on wove paper ·  Accession ID  1993.2.2

Jean de Gourmont I, Laocoon, engraving, Ailsa Mellon Bruce Fund, 1973.54.7

Laocoon

Jean de Gourmont I · · engraving ·  Accession ID  1973.54.7

John Hamilton Mortimer, Successful Monster, 1778, etching, Andrew W. Mellon Fund, 1978.51.4

Successful Monster

John Hamilton Mortimer · 1778 · etching ·  Accession ID  1978.51.4

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Christ's Sermon

Cornelis Bos · c. 1530-1556 · engraving on laid paper ·  Accession ID  2012.92.62

Honoré Daumier, Oedipe chez le Sphinx, 1842, lithograph on wove paper, Ailsa Mellon Bruce Fund, 1993.2.1

Oedipe chez le Sphinx

Honoré Daumier · 1842 · lithograph on wove paper ·  Accession ID  1993.2.1

Giuseppe Longhi, Baron Brudern, 1808, engraving and etching printed in color on laid paper, Gift of Ruth Cole Kainen, 2006.57.19

Baron Brudern

Giuseppe Longhi · 1808 · engraving and etching printed in color on laid paper ·  Accession ID  2006.57.19

Anthonie Waterloo, Square in Front of an Inn, etching, Ailsa Mellon Bruce Fund, 1971.36.7

Square in Front of an Inn

Anthonie Waterloo · · etching ·  Accession ID  1971.36.7

Ghostly impressions of people and abstract forms made up of collage-like fragments are printed in hazy gray on a tan-colored canvas in this vertical screenprint. One person stands in the middle of the picture with one elbow bent and the hand by the face. The person’s teeth are bared, and they appear to have shoulder-length hair and wear a hat. Another person plays a fiddle behind and to the right of the first. Other forms are reminiscent of houses in silhouette, a dog, and other abstract shapes line the left and bottom edges of the composition. Green-tinted areas overlap the gray in the bottom half. The artist signed the top right corner, “romare bearden.”
Romare Bearden, The Fiddler, 1965, color screenprint on canvas mounted on masonite with wood stretcher, Gift of James Halpin in memory of Dorothy Rees Halpin, 2001.134.1

The Fiddler

Romare Bearden · 1965 · color screenprint on canvas mounted on masonite with wood stretcher ·  Accession ID  2001.134.1