Provenance

Mr. Bernard Houthakker

Netherlandish, 1884 - 1963

Explore selected works

See all 21 works of art
Louis Gustave Taraval, Facade for a Church with a Sculpture Representing Faith, c. 1768, pen and gray ink with gray and brown washes over black chalk on laid paper, Ailsa Mellon Bruce Fund, 1996.73.5

Facade for a Church with a Sculpture Representing Faith

Louis Gustave Taraval · c. 1768 · pen and gray ink with gray and brown washes over black chalk on laid paper ·  Accession ID  1996.73.5

Aegidius Sadeler II, The Martyrdom of Saint Sebastian, c. 1620, black chalk with brown and gray wash heightened with white on laid paper, Pepita Milmore Memorial Fund, 1992.18.1

The Martyrdom of Saint Sebastian

Aegidius Sadeler II · c. 1620 · black chalk with brown and gray wash heightened with white on laid paper ·  Accession ID  1992.18.1

Giovanni da Udine, Grotesque Decorations for Wall Panels, c. 1530, pen and brown ink on laid paper, Ailsa Mellon Bruce Fund, 1996.73.3

Grotesque Decorations for Wall Panels

Giovanni da Udine · c. 1530 · pen and brown ink on laid paper ·  Accession ID  1996.73.3

Karel van Mander I, The Departure of the Prodigal Son, pen and brown ink with brown wash heightened with white on laid paper, Ailsa Mellon Bruce Fund, 1984.48.2

The Departure of the Prodigal Son

Karel van Mander I · · pen and brown ink with brown wash heightened with white on laid paper ·  Accession ID  1984.48.2

Aegidius Sadeler II, The Martyrdom of Saint Sebastian, c. 1620, engraving on laid paper, Pepita Milmore Memorial Fund, 1992.18.2

The Martyrdom of Saint Sebastian

Aegidius Sadeler II · c. 1620 · engraving on laid paper ·  Accession ID  1992.18.2

Italian 18th Century, French 18th Century, Design for an Inlaid Circular Table Top, with Alternatives, c. 1800, pen and gray ink with gray and black washes over graphite on laid paper, Ailsa Mellon Bruce Fund, 1997.75.2

Design for an Inlaid Circular Table Top, with Alternatives

Italian 18th Century, French 18th Century · c. 1800 · pen and gray ink with gray and black washes over graphite on laid paper ·  Accession ID  1997.75.2

Piedmontese 18th Century, Elevation for a Church Facade, with Alternatives, first half 18th century, pen and brown ink with gray and brown washes over graphite on laid paper, Ailsa Mellon Bruce Fund, 1997.75.5

Elevation for a Church Facade, with Alternatives

Piedmontese 18th Century · first half 18th century · pen and brown ink with gray and brown washes over graphite on laid paper ·  Accession ID  1997.75.5

French 18th Century, Ground Plan for an Academy of the Fine Arts, 1750/1790, pen and black and green inks with black wash over graphite on 4 joined sheets of laid paper, Ailsa Mellon Bruce Fund, 1997.75.3

Ground Plan for an Academy of the Fine Arts

French 18th Century · 1750/1790 · pen and black and green inks with black wash over graphite on 4 joined sheets of laid paper ·  Accession ID  1997.75.3

Bernard Picart, Massacre of the Innocents, 1714, pen and brown and gray ink with gray wash over graphite on laid paper with scraping, incised throughout, the verso blackened for transfer, Ailsa Mellon Bruce Fund, 1972.2.1

Massacre of the Innocents

Bernard Picart · 1714 · pen and brown and gray ink with gray wash over graphite on laid paper with scraping, incised throughout, the verso blackened for transfer ·  Accession ID  1972.2.1

Jan van Goyen, Village Fair, 1656, black chalk with gray wash on laid paper, Ailsa Mellon Bruce Fund, 1978.19.3

Village Fair

Jan van Goyen · 1656 · black chalk with gray wash on laid paper ·  Accession ID  1978.19.3

Bibliography

1921

  • Ref Number: 1272
    Lugt, Frits. Les marques de collections de dessins & d'estampes; marques estampillees et ecrites de collections. Amsterdam: Vereenigde drukkerijen, 1921.

  • Ref Number: 1272.
    Lugt 1272.