Provenance

Herman Shickman Gallery

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See all 67 works of art
Simone Cantarini, The Rest on the Flight into Egypt, or The Miracle of the Palm Tree, late 1630s, red chalk, squared for transfer and incised around edges, on laid paper, Andrew W. Mellon Fund, 1975.113.1

The Rest on the Flight into Egypt, or The Miracle of the Palm Tree

Simone Cantarini · late 1630s · red chalk, squared for transfer and incised around edges, on laid paper ·  Accession ID  1975.113.1

Italian 17th Century, Two Studies of a Standing Woman, early 17th century, black chalk on laid paper, Ailsa Mellon Bruce Fund, 1971.44.1

Two Studies of a Standing Woman

Italian 17th Century · early 17th century · black chalk on laid paper ·  Accession ID  1971.44.1

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Antichita Romane de Tempi Della Republica

Giovanni Battista Piranesi · 1748 · etchings (30) ·  Accession ID  2002.66.1.1-30

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Veduta dell' Arco di Tito

Giovanni Battista Piranesi · 1770/1771 · etching with figure at lower right reworked in red-brown chalk ·  Accession ID  1980.36.1

Jacob Matham, Allegory of Age, pen and brown ink with brown wash on laid paper, Ailsa Mellon Bruce Fund, 1971.44.3

Allegory of Age

Jacob Matham · · pen and brown ink with brown wash on laid paper ·  Accession ID  1971.44.3

Abraham Bloemaert, Landscape with Seated Figure and Dog, c. 1620, black chalk and pen and brown ink with brown wash on laid paper, incised for transfer and blackened on verso, Gift of Robert H. and Clarice Smith, 1978.81.1

Landscape with Seated Figure and Dog

Abraham Bloemaert · c. 1620 · black chalk and pen and brown ink with brown wash on laid paper, incised for transfer and blackened on verso ·  Accession ID  1978.81.1

A young girl whose blond curls catch the sunlight in an otherwise dim living room looks up from a kneeling position on all fours on the floor, as the faces of three other children peek over pieces of furniture behind her in this vertical painting. The children and the woman all have peachy, pale skin. The young girl’s body is angled to our right and she looks in that direction with eyebrows raised. She has a pointed nose, rounded cheeks, and her rosebud lips are closed. Her mass of blond curls is held back with a scarlet-red ribbon, and more red ribbons are tied into bows at the shoulders of her short-sleeved, white dress and around her waist. Her dress has lacy ruffles down the front and along the bottom hem. She kneels on a large rug patterned densely with burgundy-red, denim-blue, and ivory-white stylized flowers, vines, and leaves. A red, blue, and white striped ball rests on a second patterned rug in front of her, to our right. In front of the girl and along the bottom center of the painting is a round but indistinct object, like a flattened basket, that sits on or is part of the carpet. A brown' leather chaise lounge behind the girl is covered with at least one tiger’s pelt. A wooden side table separates that chair from another overstuffed armchair covered with more furs. Next to it, a third chair with a red paisley pattern against a white background is mostly cut off by the left edge of the canvas. Almost lost in shadow, two small faces peek out from between the two leftmost chairs. Both children have rounded cheeks and they look toward the kneeling girl. The forehead and nose of a fourth child’s face peeks over tiny fingers hooked along the top of the screen behind that pair. All three have brown hair pulled back in headbands. Farther back in the room to our right, a young woman with light brown hair, wearing a dark, long-sleeved, high-necked dress, reads a newspaper with her feet propped on a footstool in the back corner. A tall window behind her, to our left, is partially covered by a sheer white shade, and a glass door on the adjoining wall, to our right, opens onto a conservatory or greenhouse filled with green plants. The windows are framed covered by moss-green curtains. More side tables, chairs, and footstools line that back space. A long-necked, blue and white lamp with a glass shade sits on the side table next to the chair with the tiger pelt, and a gold teapot with white teacups and urns sit on other tables. A small, square mirror reflects bright sunlight next to the screen and another mirror with a wide, gold frame hangs above the reading woman and reflects the window panes behind her. The artist signed the work near the lower right corner, “J.J. Tissot.”
James Jacques Joseph Tissot, Hide and Seek, c. 1877, oil on wood, Chester Dale Fund, 1978.47.1

Hide and Seek

James Jacques Joseph Tissot · c. 1877 · oil on wood ·  Accession ID  1978.47.1

Domenico Beccafumi, A Standing Saint, pen and brown ink on laid paper, Gift of David E. Rust, 2007.68.1

A Standing Saint

Domenico Beccafumi · · pen and brown ink on laid paper ·  Accession ID  2007.68.1

Pietro Antonio Novelli, Two Young Women, pen and brown ink on brown laid paper, Gift of the Christian Humann Foundation, 1996.128.30

Two Young Women

Pietro Antonio Novelli · · pen and brown ink on brown laid paper ·  Accession ID  1996.128.30

Baldassare Franceschini, Female Saint Carrying a Banner [recto], red chalk on laid paper, Julius S. Held Collection, Ailsa Mellon Bruce Fund, 1983.74.10.a

Female Saint Carrying a Banner [recto]

Baldassare Franceschini · · red chalk on laid paper ·  Accession ID  1983.74.10.a