Provenance

Robert Hartshorne

American, 1866-1927

Explore selected works

See all 19 works of art
Camille Pissarro, Chestnut Vendors (Marchands de marrons), 1878, drypoint on laid paper, Rosenwald Collection, 1946.21.152

Chestnut Vendors (Marchands de marrons)

Camille Pissarro · 1878 · drypoint on laid paper ·  Accession ID  1946.21.152

Edgar Degas, Mary Cassatt at the Louvre: The Paintings Gallery, 1879/1880, etching, soft-ground etching, aquatint, and drypoint on wove paper, Rosenwald Collection, 1946.21.106

Mary Cassatt at the Louvre: The Paintings Gallery

Edgar Degas · 1879/1880 · etching, soft-ground etching, aquatint, and drypoint on wove paper ·  Accession ID  1946.21.106

Mary Cassatt, The Lamp, 1890-1891, drypoint and softground etching on wove paper, Rosenwald Collection, 1946.21.85

The Lamp

Mary Cassatt · 1890-1891 · drypoint and softground etching on wove paper ·  Accession ID  1946.21.85

Mary Cassatt, The Visitor, c. 1880, softground etching, aquatint, and drypoint on laid paper, Rosenwald Collection, 1946.21.94

The Visitor

Mary Cassatt · c. 1880 · softground etching, aquatint, and drypoint on laid paper ·  Accession ID  1946.21.94

Mary Cassatt, In the Opera Box (No. 3) [recto], 1880, graphite on wove paper, Rosenwald Collection, 1946.21.82.a

In the Opera Box (No. 3) [recto]

Mary Cassatt · 1880 · graphite on wove paper ·  Accession ID  1946.21.82.a

Mary Cassatt, In the Opera Box [verso], 1880, transferred softground with brown wash on wove paper, Rosenwald Collection, 1946.21.82.b

In the Opera Box [verso]

Mary Cassatt · 1880 · transferred softground with brown wash on wove paper ·  Accession ID  1946.21.82.b

Printed with black lines on cream-white paper, two women, one holding a baby on her lap, sit on the long bench seat of an omnibus in this vertical composition. The women and their full skirts take up almost the width of the composition against the bench, which extends off both sides. The woman to our left wears a high-collared dress, gloves, and hat. She looks off to our right, almost in profile. She has a round face and the hint of a double chin. One gloved hand rests on a cane. The other woman holds the baby and tips her head down toward the child. Both women’s black hair is pulled up under their hats. The baby wears a ruffled bonnet, a blousy garment, stockings, and shoes. A row of windows behind them, parallel to the top of the bench, open onto an arched bridge spanning a river with boats. To our left, the water’s edge is lined with puffy forms reminiscent of trees and bushes.
Mary Cassatt, In the Omnibus, 1890-1891, drypoint with graphite on wove paper, Rosenwald Collection, 1946.21.93

In the Omnibus

Mary Cassatt · 1890-1891 · drypoint with graphite on wove paper ·  Accession ID  1946.21.93

Nude from the waist up, a woman gathers her hair in her raised hands as she sits before a mirror in this vertical print. The large mirror is to our right, and the woman’s body is mostly turned away from us. Her head is bowed but a loose tendril of dark hair hanging beside one cheek is reflected in the mirror. Her lower body is wrapped in a voluminous cloth as she leans forward on a curved, upholstered armchair. Her facial features, the contours of her body, and the folds of the towel are all delineated with thin black strokes. The mirror is set into a light gray wall in front of the woman but the wall to our left, past her shoulders, is blank. A few inscribed lines suggest a floral pattern on the floor beneath her bare feet. The artist signed the work in graphite under the lower right corner, “Mary Cassatt.”
Mary Cassatt, The Coiffure, 1890-1891, drypoint and aquatint on wove paper, Rosenwald Collection, 1946.21.76

The Coiffure

Mary Cassatt · 1890-1891 · drypoint and aquatint on wove paper ·  Accession ID  1946.21.76

Mary Cassatt, Mimi Holding a Japanese Fan, c. 1889, drypoint on laid paper, Rosenwald Collection, 1946.21.83

Mimi Holding a Japanese Fan

Mary Cassatt · c. 1889 · drypoint on laid paper ·  Accession ID  1946.21.83

Mary Cassatt, In the Opera Box (No. 3), c. 1880, softground etching and aquatint on laid paper, Rosenwald Collection, 1946.21.81

In the Opera Box (No. 3)

Mary Cassatt · c. 1880 · softground etching and aquatint on laid paper ·  Accession ID  1946.21.81