Provenance

Vincent Melzac

American, 1914 - 1989

Explore Selected Works

See all 11 works of art
Matsumi Kanemitsu, Border Shift, 1959, oil on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.19.136

Border Shift

Matsumi Kanemitsu · 1959 · oil on canvas ·  Accession ID  2015.19.136

Jack Bush, Swim, 1967, acrylic on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.19.135

Swim

Jack Bush · 1967 · acrylic on canvas ·  Accession ID  2015.19.135

Paul Reed, Lou Stovall, The Workshop, Inc., Barcelona, 1969, color screenprint on wove paper, Corcoran Collection (Gift of Vincent Melzac), 2015.19.2512

Barcelona

Paul Reed, Lou Stovall, The Workshop, Inc. · 1969 · color screenprint on wove paper ·  Accession ID  2015.19.2512

Paul Jenkins, Phenomena Sound of Sundials, 1971, oil on canvas, Gift of Vincent Melzac, 1972.45.1

Phenomena Sound of Sundials

Paul Jenkins · 1971 · oil on canvas ·  Accession ID  1972.45.1

Jack Bush, Spain #1, 1962, Magna on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.143.24

Spain #1

Jack Bush · 1962 · Magna on canvas ·  Accession ID  2015.143.24

Paul Reed, Zig-Field, 1970, color screenprint on wove paper, Corcoran Collection (Gift of Vincent Melzac), 2015.143.161

Zig-Field

Paul Reed · 1970 · color screenprint on wove paper ·  Accession ID  2015.143.161

Thomas Downing, Lou Stovall, The Workshop, Inc., Grid Forty, 1970, color screenprint on wove paper, Corcoran Collection (Gift of Vincent Melzac), 2015.19.2511

Grid Forty

Thomas Downing, Lou Stovall, The Workshop, Inc. · 1970 · color screenprint on wove paper ·  Accession ID  2015.19.2511

Thomas Downing, Ring Three, 1969, acrylic on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.19.131

Ring Three

Thomas Downing · 1969 · acrylic on canvas ·  Accession ID  2015.19.131

Vertical bands of vibrant, saturated color are created with upright dashes of paint in this abstract, square painting. The colors range widely from primary colors to intense jewel tones, and there is no repeating pattern. The dashes are also varying widths, and bands occasionally repeat so there could be two or more of a single color before another shade marches up the canvas.
Alma Thomas, Tiptoe Through the Tulips, 1969, acrylic on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.19.145

Tiptoe Through the Tulips

Alma Thomas · 1969 · acrylic on canvas ·  Accession ID  2015.19.145

This nearly square, abstract painting is filled with circles within circles, like nested rings, each of a single bright color against the ivory white of the canvas. Each ring is made up of a series of short, rectangular dashes, and some bands are narrower while others are a bit wider. The majority of the rings are crimson and brick red, and they are interspersed with bands of lapis blue, army green, and pale pink. One of two pumpkin-orange bands is the smallest, innermost ring at the center. There is one aqua-blue colored ring just inside a pale, shell-white ring, which is the first to get cropped by the edges of the canvas. A few red, green, and blue rings beyond the white band are only seen at the corners of the canvas.
Alma Thomas, Pansies in Washington, 1969, acrylic on canvas, Corcoran Collection (Gift of Vincent Melzac), 2015.19.144

Pansies in Washington

Alma Thomas · 1969 · acrylic on canvas ·  Accession ID  2015.19.144