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Stephen Ongpin Fine Art

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Jean Achille Benouville, Sunset from a Rocky Coastline, 1842, watercolor and gouache with pen and brown ink over graphite on blue-gray wove paper, Purchased as the Gift of Helen Porter and James T. Dyke, 2011.58.1

Sunset from a Rocky Coastline

Jean Achille Benouville · 1842 · watercolor and gouache with pen and brown ink over graphite on blue-gray wove paper ·  Accession ID  2011.58.1

South German 18th Century, Arabesques with Frolicking Putti, Animals, and Jesters, c. 1750, pen and black ink with gray wash over graphite, heightened with white and gold on blue laid paper, Purchased as the Gift of Andrea Woodner, 2016.100.1

Arabesques with Frolicking Putti, Animals, and Jesters

South German 18th Century · c. 1750 · pen and black ink with gray wash over graphite, heightened with white and gold on blue laid paper ·  Accession ID  2016.100.1

Jacopo Palma il Giovane, The Fall of the Rebel Angels, c. 1585, pen and brown ink with brown wash with touches of white gouache over traces of black chalk, laid down, Gift of David H. McDonnell, 2022.14.7

The Fall of the Rebel Angels

Jacopo Palma il Giovane · c. 1585 · pen and brown ink with brown wash with touches of white gouache over traces of black chalk, laid down ·  Accession ID  2022.14.7

Ubaldo Gandolfi, Jupiter, c. 1758/1760, pen and brown ink and brown wash, squared in black chalk, with traces of framing lines in brown ink on laid paper, Gift of David H. McDonnell, 2022.14.5

Jupiter

Ubaldo Gandolfi · c. 1758/1760 · pen and brown ink and brown wash, squared in black chalk, with traces of framing lines in brown ink on laid paper ·  Accession ID  2022.14.5

Francesco Paolo Michetti, A Hillside Path with Blooming Cherry Trees under an Overcast Sky, 1905, pastel, charcoal, and stumping with touches of gouache on blue paper laid down on card, Ailsa Mellon Bruce Fund, 2014.109.1

A Hillside Path with Blooming Cherry Trees under an Overcast Sky

Francesco Paolo Michetti · 1905 · pastel, charcoal, and stumping with touches of gouache on blue paper laid down on card ·  Accession ID  2014.109.1

Eugène Louis Lami, Masqueraders Boarding Gondolas before a Venetian Palazzo, 1869, pen and brown ink and pen and black ink with watercolor and gouache over graphite on wove paper (laid on old wove card), Purchased as the Gift of Alexander M. and Judith W. Laughlin, 2014.53.3

Masqueraders Boarding Gondolas before a Venetian Palazzo

Eugène Louis Lami · 1869 · pen and brown ink and pen and black ink with watercolor and gouache over graphite on wove paper (laid on old wove card) ·  Accession ID  2014.53.3

Florentine 16th Century, The Visitation, c. 1520, black chalk, heightened with white, on prepared paper washed purple, Ailsa Mellon Bruce Fund, 2011.38.1

The Visitation

Florentine 16th Century · c. 1520 · black chalk, heightened with white, on prepared paper washed purple ·  Accession ID  2011.38.1

This painting shows a coastal view where the rocky shoreline meets the sea. Closest to us, blue waves crash against gray rocks in a spray of white. To the left, people stand near a docked boat on the sandy tan shore. Behind them, a rocky gray-and-brown cliff rises up to the top of the painting, and only a small patch of pale blue sky is visible near the top right corner. The cliff is painted with spots of dark green, gray, and pale yellow. The people near the boat are painted with vague patches of gray and tan paint, suggesting people taking or putting on gray clothing. In the center of the painting there is a pale shape in the water that looks like the head and shoulders of a swimming person. This person seems to be connected to a thin gray line that stretches to a large rock on the shore. The brushstrokes in the painting are loose and fluid.
Franz Skarbina, The Beach at Marina Piccola, Capri, 1883, watercolor and gouache on wove paper, William B. O'Neal Fund, 2016.159.1

The Beach at Marina Piccola, Capri

Franz Skarbina · 1883 · watercolor and gouache on wove paper ·  Accession ID  2016.159.1

Jean-Baptiste-Marie Pierre, Naiads and Dolphins, 1762/1765, pen and brown ink with brown wash and white gouache on buff laid paper, Purchased as the Gift of Ivan E. and Winifred Phillips in Memory of his Brother, Neil Phillips, 2018.76.2

Naiads and Dolphins

Jean-Baptiste-Marie Pierre · 1762/1765 · pen and brown ink with brown wash and white gouache on buff laid paper ·  Accession ID  2018.76.2

Jean-Robert Ango, Christ Cleansing the Temple (after Luca Giordano), 1760s, red chalk over traces of black chalk on laid paper, Ailsa Mellon Bruce Fund, 2014.53.4

Christ Cleansing the Temple (after Luca Giordano)

Jean-Robert Ango · 1760s · red chalk over traces of black chalk on laid paper ·  Accession ID  2014.53.4