Provenance

Eileen and Michael Cohen

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Dan Graham, Christmas, Housing Project, Staten Island, New York City, 1976, chromogenic print, Glenstone in honor of Eileen and Michael Cohen, 2008.30.19

Christmas, Housing Project, Staten Island, New York City

Dan Graham · 1976 · chromogenic print ·  Accession ID  2008.30.19

Peter Hutchinson, Three New York City Projects, 1969, 3 gelatin silver prints mounted on board and ink, Patrons' Permanent Fund, 2008.30.24

Three New York City Projects

Peter Hutchinson · 1969 · 3 gelatin silver prints mounted on board and ink ·  Accession ID  2008.30.24

Laurie Simmons, Tourism: Laurie's Show, 1983, gelatin silver print, Patrons' Permanent Fund, 2008.30.44

Tourism: Laurie's Show

Laurie Simmons · 1983 · gelatin silver print ·  Accession ID  2008.30.44

Hans Haacke, Grass Cube, 1967, gelatin silver print, Gift of Eileen and Michael Cohen, 2011.93.28

Grass Cube

Hans Haacke · 1967 · gelatin silver print ·  Accession ID  2011.93.28

Gerhard Richter, 2.5.89 (May 2, 1989), 1989, gelatin silver print, Patrons' Permanent Fund, 2008.30.42.1

2.5.89 (May 2, 1989)

Gerhard Richter · 1989 · gelatin silver print ·  Accession ID  2008.30.42.1

Bernd and Hilla Becher, Industriebauten (4), 1988, gelatin silver print, Patrons' Permanent Fund, 2008.30.8.4

Industriebauten (4)

Bernd and Hilla Becher · 1988 · gelatin silver print ·  Accession ID  2008.30.8.4

Giuseppe Penone, Untitled, 1974, 4 gelatin silver prints in aluminum frames, Glenstone in honor of Eileen and Michael Cohen, 2008.30.59.a-d

Untitled

Giuseppe Penone · 1974 · 4 gelatin silver prints in aluminum frames ·  Accession ID  2008.30.59.a-d

The toes of two leather lace-up boots face each other and, on closer inspection, are conjoined in this horizontal black and white photograph. The half-laced, ribbon-like laces of both boots are undone and splay out toward us almost symmetrically. The shaft of the left boot curls open, and the tongue lies close to its laces. The shaft of the right boot angles away from us. Both boots are decorated with patterned bands of punched holes over the toes, up the sides of the laces, and back along the upper, and both have square, stacked heels. The artist wrote “9/45” in the lower left corner and signed the lower right, “Meret Oppenheim,” both in graphite.
Meret Oppenheim, Le Couple (The Couple), 1973, gelatin silver print, Gift of Eileen and Michael Cohen, 2011.93.9

Le Couple (The Couple)

Meret Oppenheim · 1973 · gelatin silver print ·  Accession ID  2011.93.9

Rudolf Schwarzkogler, Ludwig Hoffenreich, Untitled, from 3. Aktion (3rd Action), 1965, gelatin silver print, Gift of Eileen and Michael Cohen, 2011.93.40

Untitled, from 3. Aktion (3rd Action)

Rudolf Schwarzkogler, Ludwig Hoffenreich · 1965 · gelatin silver print ·  Accession ID  2011.93.40

Giovanni Anselmo, Livella orizzontale (Horizontal Level), 1966, printed 1973, chromogenic print, Glenstone in honor of Eileen and Michael Cohen, 2008.30.5

Livella orizzontale (Horizontal Level)

Giovanni Anselmo · 1966, printed 1973 · chromogenic print ·  Accession ID  2008.30.5