Provenance

Stiftung Ratjen

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Peter Fendi, Fridolin and Two Workmen by the Forge, 1833, watercolor and gouache over graphite on laid (?) paper, laid down, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.79

Fridolin and Two Workmen by the Forge

Peter Fendi · 1833 · watercolor and gouache over graphite on laid (?) paper, laid down ·  Accession ID  2007.111.79

Giovanni Domenico Tiepolo, Two Rampaging Elephants, 1790/1792, pen and brown ink with brown wash over black chalk and charcoal on white laid paper, Wolfgang Ratjen Collection, Purchased as the Gift of Ruth Cole Kainen, 2007.111.172

Two Rampaging Elephants

Giovanni Domenico Tiepolo · 1790/1792 · pen and brown ink with brown wash over black chalk and charcoal on white laid paper ·  Accession ID  2007.111.172

Johann Joachim Faber, Civitella Seen from the North, 1820/1825, oil paint over indented lines on beige prepared laid paper, Wolfgang Ratjen Collection, Purchased as the Gift of Helen Porter and James T. Dyke, 2007.111.76

Civitella Seen from the North

Johann Joachim Faber · 1820/1825 · oil paint over indented lines on beige prepared laid paper ·  Accession ID  2007.111.76

Johann Wolfgang von Goethe, A Storm over the Mountains near Nocera, c. 1787, pen and brown ink with gray wash over graphite on laid paper , Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.96

A Storm over the Mountains near Nocera

Johann Wolfgang von Goethe · c. 1787 · pen and brown ink with gray wash over graphite on laid paper ·  Accession ID  2007.111.96

Pier Francesco Mola, The Angel Appearing to Hagar in the Desert (recto), c. 1660, brush and pen and brown ink with brown wash over black chalk on light beige laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.130.a

The Angel Appearing to Hagar in the Desert (recto)

Pier Francesco Mola · c. 1660 · brush and pen and brown ink with brown wash over black chalk on light beige laid paper ·  Accession ID  2007.111.130.a

Giovanni Francesco Romanelli, The Massacre of the Innocents, c. 1635, pen and brown ink with brown and blue wash over black chalk, heightened with white gouache, on laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.142

The Massacre of the Innocents

Giovanni Francesco Romanelli · c. 1635 · pen and brown ink with brown and blue wash over black chalk, heightened with white gouache, on laid paper ·  Accession ID  2007.111.142

Carl Heinzmann, The City of Arnberg in the Oberpfalz, 1823, watercolor and gouache over traces of graphite, with borderlines in pen and black ink, on wove paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.104

The City of Arnberg in the Oberpfalz

Carl Heinzmann · 1823 · watercolor and gouache over traces of graphite, with borderlines in pen and black ink, on wove paper ·  Accession ID  2007.111.104

Friedrich Preller the Elder, An Italianate Landscape with Shepherds, c. 1831, pen and gray ink with brown and gray wash over graphite on gray laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.146

An Italianate Landscape with Shepherds

Friedrich Preller the Elder · c. 1831 · pen and gray ink with brown and gray wash over graphite on gray laid paper ·  Accession ID  2007.111.146

Johann Baptist Enderle, Diana Resting after the Hunt, 1775/1780, watercolor, pen and gray ink, and gray wash, heightened with touches of white gouache, over graphite, laid down on old album sheet, Wolfgang Ratjen Collection, Purchased as the Gift of Diane A. Nixon, 2007.111.73

Diana Resting after the Hunt

Johann Baptist Enderle · 1775/1780 · watercolor, pen and gray ink, and gray wash, heightened with touches of white gouache, over graphite, laid down on old album sheet ·  Accession ID  2007.111.73

Cosmas Damian Asam, The Ascension of Christ, 1720, red chalk with gray wash on laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.2

The Ascension of Christ

Cosmas Damian Asam · 1720 · red chalk with gray wash on laid paper ·  Accession ID  2007.111.2