Skip to main content
National Gallery of Art National Gallery of Art

Directions

  • Open today 10:00–5:00
  • Directions

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

Utility

  • Shop
  • Support

Open today 10:00–5:00

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

Utility

  • Shop
  • Support

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

  • Art & Artists

    • Artworks
    • Artists
    • Stories
    • Games and Interactives
    • Educational Resources
    • Research

    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

Utility

  • Shop
  • Support

Directions

  • Open today 10:00–5:00
  • Directions

Global Search

Autocomplete Suggestions
    No Results
    Keep typing to get suggestions
    Loading Results

    Top Searches:

    • Free images
    • Van Gogh
    • Landscape
    • National Gallery Nights
    • Matisse
    Advanced Artwork Search

    Breadcrumb

    1. Home
    2. Artworks
    3. Paul Haim
    Provenance

    Paul Haim

    Explore selected works

    Artwork

    Two thin, black, straight lines create a cross above a band of widely spaced, vertical, wavy lines, all against a golden yellow background in this abstract, vertical painting. The cross and the band of wavy lines at its base nearly fill this canvas. Each end of the horizontal line of the cross ends with a black disk. Three crimson-red lines emanate like rays from the sides of each disk. The top of the vertical line of the cross ends with a scarlet-red form that flares into a straight line across the bottom and curves up and over, to our left. That shape is outlined in red and partially filled in with the same color at the curving end. At the bottom of the cross, seven vertical wavy lines are spaced along a horizontal line, all in maroon red. A turquoise-blue star floats over the black disk to our right, and three curved lines in blue, yellow, and red arch in a short, stylized rainbow near the upper right of the painting. The background is mottled with tan and ochre yellow, and speckled with topaz-blue dots mostly in the upper left and the lower right corners. The artist signed and dated the work in tiny letters near the lower right: “Miró 1924.”
    Joan Miró, Head of a Catalan Peasant, 1924, oil and crayon on canvas, Gift of the Collectors Committee, 1981.9.1

    Head of a Catalan Peasant

    Head of a Catalan Peasant

    Joan Miró · 1924 · oil and crayon on canvas ·  Accession ID  1981.9.1

    Site Footer

    Home National Gallery of Art

    Hours

    Admission is always free.
    Open today 10:00–5:00

    Locations

    • West Building

      6th St and Constitution Ave NW
      Washington, DC 20565

    • East Building

      4th St and Constitution Ave NW
      Washington, DC 20565

    • Sculpture Garden

      7th St and Constitution Ave NW
      Washington, DC 20565

    Newsletter Sign Up Form

    Art news every week

    Subscribe

    * indicates required

    Follow us

    Social Media

    • Facebook
    • Instagram
    • Pinterest
    • Twitter
    • YouTube

    Footer Primary Menu

    • About
      • About Us
      • Press
      • Contact Us
    • Visit
      • Plan Your Visit
      • Calendar
      • Today's Tours
      • Accessibility
      • Exhibitions
    • Get Involved
      • Donate
      • Membership
      • Opportunities
    • Research
      • Free Images for Download
      • Artwork Search
      • The Center
      • Conservation
      • Library
      • Archives
      • Past Exhibitions
      • Publications
    © 2026 National Gallery of Art

    Legal Links

    • Notices
    • Privacy Policy