Provenance

Giulio Sterbini

Italian, died 1911

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A nude man, Jesus, stands with hands together in prayer, hip-deep in a stylized river with a bearded man wearing a fur-like garment on a rocky bank to one side and two winged angels on the other, all against a gleaming gold background in this vertical painting. Another bearded man wearing a white robe floats in a blue field at the top center of the panel. All the people have pale skin, brown hair, and gold halos encircle their heads. At the center of the painting, Jesus’s body is angled to our left, and he tips his head the same direction. Jesus has shoulder-length hair and a trimmed beard. Slate-blue water reaching his hips is painted with regular, white, curving lines to suggest flowing water. Standing on the flat top of a tan-colored rock to our left, the other man head has raggedy, darker brown hair and a fuller beard. His brow is furrowed, and he has dark eyes. He wears the brown, fur-like garment under a white robe. He steps forward on his left foot, farther from us, to touch Jesus’s head with his right hand, and he holds a staff in his other hand. To our right, the angels stand side-by-side facing Jesus. The angel farther from us wears indigo blue and the one closer to us wears a brick-red, patterned, long robe over bare feet. A swath of beige, geometrically patterned fabric drapes over that angel’s arm, whose hands are also held together in prayer. Their wings darken from cream-white at the top to golden yellow, then burnt orange at the bottom. Stylized trees, one to our left and two to our right, grow from the rocky hills beyond the people. In a half-circle at the top, a man smaller in scale hovers, chest down, over the scene. He lifts his right hand toward Jesus and holds a book with a crimson-red cover with his other hand. The semi-circle fades from deep teal at the center to pale aquamarine blue at the outer edge, and is painted with gold starbursts. The entire scene has a gold border with clover-like forms set within diamonds along the inner edge of the panel.
Giovanni Baronzio, The Baptism of Christ, c. 1335, tempera on panel, Samuel H. Kress Collection, 1939.1.131

The Baptism of Christ

Giovanni Baronzio · c. 1335 · tempera on panel ·  Accession ID  1939.1.131

Shown from the waist up, a woman wearing a garnet-red robe rests a book and a palm frond against a spiked wheel, all against a gold background in this arched, vertical painting. The woman’s light skin is tinged with pale green, and her cheeks are faint pink. Her shoulders face us, and she slightly looks up and off to our right with gray eyes under curved brows. She has a long, straight nose, and her small, full, bow-shaped lips are closed. Her wavy blond hair is parted down the middle and pulled back at the base of her head. Her red robe has a pattern of delicate diamond shapes and the underside is white, visible where it turns over around the neck. The robe is fastened with a round, gold disk the size of a DVD. Letters there read, “S.K.A.T.E.R.I.N.A.” around the perimeter of a four-lobed, red, blue, and gold geometric design at the center of the brooch. The sky-blue garment beneath her robe has a marine-blue collar. She clasps the palm frond in her left hand, to our right. The hand rests on the book, which is propped against the wheel in front of her, so the frond reaches beyond and above that shoulder, nearly to the edge of the painting. The wheel is edged with short, curving spikes like talons. The woman’s gold crown and round halo blend into the shimmering gold background, which is visibly cracked in some areas. The top of the panel curves up as if into an arch but is cut across the panel over her halo.
Bartolomeo Bulgarini, Saint Catherine of Alexandria, c. 1335/1340, tempera on panel, Samuel H. Kress Collection, 1943.4.20

Saint Catherine of Alexandria

Bartolomeo Bulgarini · c. 1335/1340 · tempera on panel ·  Accession ID  1943.4.20