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Joel R. Bergquist Fine Arts

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Félix Bracquemond, Eugène Delâtre, Le Haut d'un battant de porte (Birds Nailed to a Barn Door), 1852 (this edition 1865), etching on laid paper, Purchased as the gift of Virginia Grace Tuttle and Patricia H. Passer in Memory of Tom Hancock, 2009.30.1

Le Haut d'un battant de porte (Birds Nailed to a Barn Door)

Félix Bracquemond, Eugène Delâtre · 1852 (this edition 1865) · etching on laid paper ·  Accession ID  2009.30.1

Mademoiselle Le Roy, Francoise Basset, Vue d’une Laiterie près St. Maur-les-Paris (View of the Dairy near St. Maur-les-Paris), c. 1772, chalk-manner printed in red on laid paper, Katharine Shepard Fund, 2020.37.2

Vue d’une Laiterie près St. Maur-les-Paris (View of the Dairy near St. Maur-les-Paris)

Mademoiselle Le Roy, Francoise Basset · c. 1772 · chalk-manner printed in red on laid paper ·  Accession ID  2020.37.2

Jean Barbault, Alzata dell'Obelisco di Campo Marzio (Excavation of the Obelisk from the Campo Marzio), after 1748, etching on laid paper, Purchased as the Gift of Vincent J. Buonanno, 2016.198.1

Alzata dell'Obelisco di Campo Marzio (Excavation of the Obelisk from the Campo Marzio)

Jean Barbault · after 1748 · etching on laid paper ·  Accession ID  2016.198.1

Nicolas-Toussaint Charlet, Le Marchand de dessins lithographiques (The Lithograph Seller), 1819, lithograph on wove paper, Ailsa Mellon Bruce Fund, 2016.198.2

Le Marchand de dessins lithographiques (The Lithograph Seller)

Nicolas-Toussaint Charlet · 1819 · lithograph on wove paper ·  Accession ID  2016.198.2

Mademoiselle Le Roy, Francoise Basset, Vue d'une ruine près Chantilly (View of a Ruin near Chantilly), c. 1772, chalk-manner printed in red on laid paper, Katharine Shepard Fund, 2020.37.1

Vue d'une ruine près Chantilly (View of a Ruin near Chantilly)

Mademoiselle Le Roy, Francoise Basset · c. 1772 · chalk-manner printed in red on laid paper ·  Accession ID  2020.37.1

Paul Gavarni, Frédéric Sauvage, 1853, lithograph on chine appliqué, Ailsa Mellon Bruce Fund, 2016.198.6

Frédéric Sauvage

Paul Gavarni · 1853 · lithograph on chine appliqué ·  Accession ID  2016.198.6

Giovanni Boldini, Whistler Asleep, 1897, drypoint on pale green-gray paper, Ailsa Mellon Bruce Fund, 2014.27.1

Whistler Asleep

Giovanni Boldini · 1897 · drypoint on pale green-gray paper ·  Accession ID  2014.27.1

Mademoiselle Le Roy, Francoise Basset, Vue d’une Ruine près St. Maur-les-Paris (View of a Ruin near St. Maur-les-Paris), c. 1772, chalk-manner printed in red on laid paper, Katharine Shepard Fund, 2020.37.3

Vue d’une Ruine près St. Maur-les-Paris (View of a Ruin near St. Maur-les-Paris)

Mademoiselle Le Roy, Francoise Basset · c. 1772 · chalk-manner printed in red on laid paper ·  Accession ID  2020.37.3

Mademoiselle Le Roy, Francoise Basset, Four Landscapes after Le Sueur, c. 1772, chalk-manner printed in red on laid paper, Katharine Shepard Fund, 2020.37.4

Four Landscapes after Le Sueur

Mademoiselle Le Roy, Francoise Basset · c. 1772 · chalk-manner printed in red on laid paper ·  Accession ID  2020.37.4

Philippe-Auguste Hennequin, Mr. Claude Aubry, Délassement champêtre (Sylvan Leisure), 1825, lithograph on wove paper, Ailsa Mellon Bruce Fund, 2016.198.3

Délassement champêtre (Sylvan Leisure)

Philippe-Auguste Hennequin, Mr. Claude Aubry · 1825 · lithograph on wove paper ·  Accession ID  2016.198.3