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    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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Open today 10:00–5:00

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

  • Art & Artists

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    Play Artle

    Test your knowledge with a new puzzle every day.

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  • Visit

    • Plan Your Visit
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    • Visiting with Kids
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    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

  • Art & Artists

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    • Stories
    • Games and Interactives
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    • Research

    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

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    3. Baron Carlo Marochetti
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    Baron Carlo Marochetti

    Italian, 1805 - 1867

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    A woman holding a baby, who stands on her lap, is flanked by two men in a deep landscape in this horizontal painting. At the center of the composition, the woman sits behind a stone ledge. Her pale-skinned, oval face tips to our left, and she looks down and to our right with brown eyes. She has a long, straight nose, round cheeks, a slight double chin, and her pale lips are closed. A white cloth drapes over a translucent veil that covers her forehead. Her indigo-colored dress is edged with gold writing and ornamental designs against a red and black background. A parchment-brown cloth is tied as a belt under her bust. The nude child with notably pale skin stands on one of her knees, and she holds his other foot with one hand. Her other hand braces his chest, and he holds onto that thumb. His other hand is held up with the thumb and first two fingers raised toward the man to our left, at whom he looks. A halo, drawn as a thin gold line, encircles his blond curls. He has chubby cheeks and thighs but looks seriously at the man to our left. Both men have tanned skin, and they face inward, almost in profile. They are shown from about the hips up on the far side of the stone ledge. The man to our left is balding with a long, white beard. Wrinkles line his forehead and cheeks. He looks off to our right with shadowed eyes, and he has a hooked nose. He wears a tan garment under an ultramarine-blue cloak, which drops from one shoulder and wraps around his hips. He holds one hand to his chest and the other palm up. To our right, the second man looks to our left with deep-set eyes. He has high cheekbones, a straight nose, and his lips are parted. Copper-brown hair falls in shaggy curls to his shoulders, and he has a full, red beard. His hands are together in prayer in front of his chest, and a tall thin stick with a narrow crossbeam to make a cross is tucked into one elbow. His voluminous, carnation-pink robe almost covers a brown, shaggy garment beneath. Beyond the group, rocky cliffs lead back to a castle-like structure to our left and grassy, tree-dotted hills roll into the distance to our right. Pale gray and white clouds drift across a violet-purple and blue-streaked sky across the top quarter of the composition. The artist signed the work as if he had carved into the stone ledge in front of Mary: “IOANNES BAPTISTA PINXIT.”
    Cima da Conegliano, Madonna and Child with Saint Jerome and Saint John the Baptist, c. 1492/1495, oil on poplar panel, Andrew W. Mellon Collection, 1937.1.33

    Madonna and Child with Saint Jerome and Saint John the Baptist

    Madonna and Child with Saint Jerome and Saint John the Baptist

    Cima da Conegliano · c. 1492/1495 · oil on poplar panel ·  Accession ID  1937.1.33

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