Provenance

Count d' Arache

Italian

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A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.
Ercole de' Roberti, The Wife of Hasdrubal and Her Children, c. 1490/1493, tempera on poplar panel, Ailsa Mellon Bruce Fund, 1965.7.1

The Wife of Hasdrubal and Her Children

Ercole de' Roberti · c. 1490/1493 · tempera on poplar panel ·  Accession ID  1965.7.1

From far below, we look up at an older man with standing on a cliff edge or rocky ledge with his arms raised as he turns his head to gaze up to a second man and winged, child-like angels surrounded by clouds in the sky above in this square painting. All the people have pale, peachy skin. The man on the ledge, Saint John, half crouches with knees bent so his body is angled to our right, and he turns his head back to our left to look up to the clouds. Both hands are raised with palms facing up. Saint John has a short, curly white beard and hair, and we see the bottom of his chin, nose, and eyes under heavy brows. He wears a light, rose-pink tunic with crimson drapery across his shoulders billowing around his body. Next to him on the rocky ledge is a book with a scarlet-red cover to our left and a brown eagle to our right. The eagle slightly lifts its wings and looks to our left in profile, mouth open and tongue visible. Tufts of grass and plants grow near Saint John’s feet. The aqua-colored sky fills most of the composition behind Saint John, and a bank of silvery gray clouds lit with pale yellow swirls across the top half of the painting. At the center of the clouds, the second man has a long, white beard and white hair, and wears a muted plum-purple robe. He raises his right hand, to our left, palm down with the first two fingers and thumb extended. Six winged, nude young children nestle near this second man or flutter among the clouds.
Titian, Italian 16th Century, Saint John the Evangelist on Patmos, c. 1553/1555, oil on canvas, Samuel H. Kress Collection, 1957.14.6

Saint John the Evangelist on Patmos

Titian, Italian 16th Century · c. 1553/1555 · oil on canvas ·  Accession ID  1957.14.6