Provenance

Julius Stern

German, 1859 - 1914

Explore Selected Works

At least one rowboat occupied by two people floats on a lake, which is surrounded by lush green vegetation in this vertical landscape painting. The scene is loosely painted with short and long parallel brushstrokes, so some details are difficult to make out. The white of the four geese lining the bank near us break up a color palette almost entirely dominated by spring, mint, and sage green and royal and baby blue. Three of the geese stand in a line and the fourth bends down to peck at the grass. A bed of deep pink flowers is indicated with touches of vibrant color to our right of the geese. One person wearing a golden yellow garment and a butter-yellow hat rows the boat near the center of the lake. A smudge of cobalt blue could be another person in that boat. Other curved lines in the water could be additional boats or may be reflections in the lake’s surface. Barely discernable, a person, possibly holding a stick, stands among the tall trees lining the opposite bank. The horizon line comes about three-quarters of the way up the composition, and the sky above is painted with watery blue, pale yellow, and ivory-white brushstrokes. The artist signed the work with dark letters near the lower left corner: “B. Morisot.”
Berthe Morisot, Girl in a Boat with Geese, c. 1889, oil on canvas, Ailsa Mellon Bruce Collection, 1970.17.50

Girl in a Boat with Geese

Berthe Morisot · c. 1889 · oil on canvas ·  Accession ID  1970.17.50

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas. The palette is dominated by sage and laurel green, tan and chocolate brown, spruce blue, and eggshell white. The women are outlined with dark brown lines. All three wear long skirts and long-sleeved shirts, and all reach for olives on the trees or into baskets. One woman, to our left, stands on the ladder and faces us; the second woman leans or sits against the right side of the ladder and faces away, her hair covered in a cloth; and the third woman stands at the foot of the ladder to our right, turning away from us. The tan and pale green of their clothing is echoed in trees around them. Short, distinct brushstrokes in pine and light green, with a few touches of silvery blue, create leaves on trees whose gnarled trunks are outlined with dark brown. The horizon line comes about a third of the way up the composition, and the sky above is painted with distinct strokes of ivory, pale mint green, and a few touches of shell pink. The ground around the women and trees is painted with sage and celery green, slate blue, and brown. The brushstrokes are spaced far enough apart in places that bare canvas is visible underneath, especially in the ground.
Vincent van Gogh, The Olive Orchard, 1889, oil on canvas, Chester Dale Collection, 1963.10.152

The Olive Orchard

Vincent van Gogh · 1889 · oil on canvas ·  Accession ID  1963.10.152

Bibliography

2005

  • Kuhrau, Sven. Der Kunstsammler im Kaiserreich: Kunst und Repräsentation in der Berliner Privatsammlerkultur. Kiel, 2005:287