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    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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Open today 10:00–5:00

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    Play Artle

    Test your knowledge with a new puzzle every day.

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    • Plan Your Visit
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    • Visiting with Kids
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    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    Play Artle

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    Play now

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    3. Charles Lennox, 4th Duke of Richmond
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    Charles Lennox, 4th Duke of Richmond

    1764 - 1819

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    We look slightly down at an ornate fountain in a dirt and stone courtyard surrounded by about two dozen people, many of whom look at or gesture toward the fountain in this vertical painting. Most of the people have pale, peachy skin but one man, near the lower center, has dark brown skin and short black hair. The fountain has a broad, shell-shaped base filled with glimmering, aquamarine-blue water. In the basin, and as if carved from gray stone, two muscular, nude men blow horns as they ride stylized dolphins, which spout water into the pool. Two more people wearing robes sit atop a tall, pedestal-shaped form that rises from the back of the shell base. The person to our left holds aloft a bowl and the other holds a vessel on her lap as she turns to look up and behind her at the pinnacle of the fountain. There, a person, also carved from stone, sits on a throne and points down with one hand while the other, closer to us, rests on a short column with three flame-like protrusions up each side. He leans back against a short, curving ship with an oar coming through a porthole to our right. A nude, chubby, baby-like cherub straddles the rudder like a horse to our right. The sun falls down the front of the fountain, especially highlighting the middle tier and bottom shell-shaped basin, and it illuminates the people gathered around and near its base. One man to our left kneels on the edge of the basin and dips one hand in, as several others stand around it and look up at or point toward it. Most of the people wear robes, cloaks, and tunics in mustard yellow, tomato red, peach, white, and royal or light blue. A few vignettes draw the eye, including two men wearing chains on their ankles, are sprawled in shadow in the lower left corner of the composition. In that same cluster, two men stand and gesture toward the fountain while another sits at their feet. Nearby, the man with brown skin sits in front of a light-skinned man wearing a turban, a striped tunic, and a short sword hanging from his belt. The turbaned man stands with his back to us and rests his right hand on the handle of a pointed axe, using it like a cane. To our right, a person wearing an armor breastplate under a ruby-red cloak stands next to a balding man who also points up at the fountain. A young man wearing a lemon-yellow suit sits on a fallen block in the lower right corner of the composition, holding a board on his lap and presumably sketching the fountain, as a man wearing sapphire blue looks on. More people walk toward the fountain down in front of a gate to our right of the fountain. Beyond, plants and vegetation grow among ruins with columns, a stone obelisk, and a tall narrow pyramid. Pale pink clouds float in the pastel blue sky above. The artists signed their names as if written on the face of a stone block near the lower left: “B.” and “M.” next to “RICCI Faciebant.”
    Sebastiano Ricci, Marco Ricci, Memorial to Admiral Sir Clowdisley Shovell, 1725, oil on canvas, Samuel H. Kress Collection, 1961.9.58

    Memorial to Admiral Sir Clowdisley Shovell

    Memorial to Admiral Sir Clowdisley Shovell

    Sebastiano Ricci, Marco Ricci · 1725 · oil on canvas ·  Accession ID  1961.9.58

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