Provenance

Charles-Auguste-Louis-Joseph, duc de Morny

Morny duc de
Morny comte de

French, 1811 - 1865

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A man bows to a woman as another man looks on from the shadowy background, while a woman sitting at a table plays a lute in this vertical painting. All the people have pale skin. The bowing man enters from an open door to our left. He faces our right in profile and has a bumped nose, a dark mustache, and his brown hair falls loosely over his shoulders. He wears a voluminous, black jacket that has a wide white collar and flat, plate-like, starched white cuffs. He bends forward with one foot stretched in front of him, as he gazes at the woman to our right. His hands are spread wide. His left forefinger and thumb touch to make an O shape, and he holds a wide-brimmed, black hat in his right hand, closer to us. At the center of the composition, the woman wears a dress with a coral-pink bodice and a cream-white satin skirt trimmed with gold down the front and around the hem. She faces our left in profile and looks at the man, her cheeks flushed. Her eyebrows are slightly raised over dark eyes, and she has a straight nose and the hint of a double chin. Her blond hair is pulled back under a lace covering, and curls frame her face. A black ribbon is tied into a bow at the shoulder closer to us. A brown and white dog, about knee-high, stands between the man and woman. To our right, a young woman sits at the far side of a table playing a lute. She wears a sapphire-blue dress and looks down at her instrument. One elbow is propped on the patterned rug that covers the table. A second instrument, perhaps a cello, lies on the table, and a wooden chair with a pine-green upholstered seat has been pulled up to our side of the table. Almost lost in the shadows at the back of the room between the two women, a man with a goatee and wearing a brown jacket and trousers stands with his body angled to our right as he looks over his shoulder at the couple at the door. He stands in front of a fireplace with an opening so large that the mantle is supported by columns as tall as the man.
Gerard ter Borch the Younger, The Suitor's Visit, c. 1658, oil on canvas, Andrew W. Mellon Collection, 1937.1.58

The Suitor's Visit

Gerard ter Borch the Younger · c. 1658 · oil on canvas ·  Accession ID  1937.1.58

A group of pale-skinned men, women, and children along with a few horses and dogs form a loose line across a dirt road, which is flanked with rows of buildings on both sides that converge in the tree-filled distance in this horizontal painting. The scene is painted mostly with sage and moss green, peanut and caramel brown, cream white, and black. Most of the people wear hats or caps. The women wear long dresses and the men wear jackets and pants. One man wearing a black jacket with buttons down the front, and with white at the neck and cuffs, leans down from atop a black horse at the center of the group. Another man with a tall, cream-white, brimmed hat and white collar stands behind a dappled horse to our right of center. Men, women, and children, most wearing tattered and worn clothing, look on. One woman to our left holds a baby strapped to her back and others gather around the horses. A pair of men in front of a stone building to our right smoke long, white, tobacco pipes. Others peer out of the open door and windows. An illegible wooden sign hangs above the door. Leafy vines grow over parts of the building façade. To our left, a woman sits on the ground and holds a spindle as she winds wool with a spinning frame. A man leans down over her shoulder, and a child looks away from us, into a fenced enclosure in front of a building. People, horses, dogs, and chickens are scattered along the road into the distance, and a church steeple rises against the ivory-white clouds in the sky beyond. A partial inscription with the artist’s name and date appears in black paint in the lower right corner: “Isack van Os 164.”
Isack van Ostade, The Halt at the Inn, 1645, oil on panel transferred to canvas, Widener Collection, 1942.9.49

The Halt at the Inn

Isack van Ostade · 1645 · oil on panel transferred to canvas ·  Accession ID  1942.9.49