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    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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Open today 10:00–5:00

National Gallery of Art

  • Visit

    • Plan Your Visit
    • Accessibility
    • Visiting with Kids
    • Food and Drink
    • Shops
    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    Play Artle

    Test your knowledge with a new puzzle every day.

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    • Plan Your Visit
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    • Visiting with Kids
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    • Tours, Guides, and Maps

    Open today 10:00 a.m.–5:00 p.m.
    Admission is always free

    6th and Constitution Ave NW 
    Washington, DC 20565

    Celebrating American art and artists

    Join us as we explore 250 years of American creativity from across the nation.

    Learn more

  • Exhibitions & Events

    • Exhibitions
    • Calendar
    • Kid-Friendly Events
    We look slightly down onto a woman dressed in golden yellows, sitting in a pale green chair, with a nude child sitting in her lap as they both gaze into a mirror in this vertical portrait painting. Both the people have pale, peachy skin. The chair is angled to our left so the woman’s knees and child cant down toward the lower left corner of the composition, and the woman leans onto the arm closer to us. The chair is painted mint green and the rose-pink upholstery is visible on the seat and a corner behind the woman’s shoulder. To our right, the woman’s vibrant, copper-colored hair is pulled loosely to the back of her head. She has a rounded nose, flushed cheeks, and her full, coral-pink lips are closed. Her long dress has a low, U-shaped neckline. The fabric shimmers from pale, cucumber green to light sunshine yellow. The sleeves of the dress split over the shoulder and a second long, goldenrod-yellow sleeve falls from her elbow off the bottom edge of the canvas. An oversized sunflower, larger than the woman’s face, is affixed to her dress near her left shoulder, closer to us. She looks with dark eyes down toward the small, gold-rimmed mirror she holds in her right hand, farther from us. The child also holds the handle of the mirror with both hands, and in the reflection, the child looks back at us with dark eyes, a button nose, and pink lips. The child’s hair in the reflection is the same copper color as the woman’s, but the child on her lap has blond, shoulder-length hair. The woman rests one hand on the child’s left shoulder, closer to us. The child has a rounded belly and smooth, rosy limbs. The woman and child are reflected in a second mirror hanging on the wall alongside them, opposite us. Their reflections are very loosely painted. The wall behind the pair is sage green across the top and it shifts to fawn brown across the bottom. Brushstrokes are visible throughout, especially in the woman’s dress and hair, and are more blended in the bodies and faces. The artist signed the painting in the lower right corner, “Mary Cassatt.”

    Featured exhibition:

    Mary Cassatt: An American in Paris

    Now on view

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    • Stories
    • Games and Interactives
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    Play Artle

    Test your knowledge with a new puzzle every day.

    Play now

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    3. Don Taddeo Barberini
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    Don Taddeo Barberini

    1603 - 1647

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    Sixteen men and women sit, stand, or play music at or around a table surrounded by white marble buildings in this vertical painting. All the people have pale skin, and most have round faces with small features and wear dresses or robes in canary yellow, rose pink, lavender purple, moss green, topaz blue, or golden brown. Two stone steps along the bottom of the composition lead up to the table, which is covered with a white cloth. Three people are on our side of the table and the rest are next to or on the other side of it. A young, clean-shaven man brings a glass filled with red liquid on a tray at the left end of the table. Two people sit at the table set with two silver platters and a gold, fist-sized vessel. To our left, the man leans away from the woman and looks up and to our right, toward the musicians who sit and play on a raised platform. The man at the table wears a red hat with a billowing black feather, and his brows are gathered. To our right, the woman holds her hands up in front of her chest, palms facing each other. She looks to our right at a pair of men standing on our side of the table in the bottom right quadrant of the composition. Those two men have darker toned, peachy-colored skin, long beards, straight, pointed noses, and angular features. Both look off to the left. In this pair, the man to our left holds a club in one hand and leans back. He wears a royal-blue jerkin, a muted purple, knee-length toga, and shin-high, toeless sandals over bare, muscular legs. Decorative slits are cut into his jerkin so puffs of the white linen shirt he wears underneath can be pulled through. To our right in this pair, the other man faces our left in profile. He leans heavily against a tall staff and wears tattered white and earthy-brown clothing. A white cloth is tied around his scraggly hair and another around a wound on one shin. Two dogs growl at each other at this man’s bare feet. The third person on our side of the table kneels next to a tub-sized, silver and gold wine cooler, which holds a gold urn. A dog next to the cooler crouches and growls at the table or musicians, the tail erect and ears back. The musicians sit on a shallow platform to the right. The platform is as high as the people standing in front of it, and it is covered with a forest-green cloth. The musicians play instruments resembling a horn, violin, and cello, and the fourth holds an open book and lifts one finger, conducting. A similar platform across from them, to the left of the table, is covered with a white cloth and holds a display of oversized gold urns and silver platters. White arches carved with statues and decorations rise behind the table and frame a view of thin clouds across a vivid blue sky. The sky also fills much of the top quarter of the composition, and a scarlet-red curtain has been pulled to the left and tucked behind the silver dishes.
    Italian 17th Century, The Parable of Lazarus and the Rich Man, 1618/1628, oil on panel, Samuel H. Kress Collection, 1939.1.88

    The Parable of Lazarus and the Rich Man

    The Parable of Lazarus and the Rich Man

    Italian 17th Century · 1618/1628 · oil on panel ·  Accession ID  1939.1.88

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