Provenance

Howard Greenberg Gallery

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André Kertész, Clock of the Académie Française, 1929, gelatin silver print, Purchased as a Gift of The Howard Gilman Foundation and The André and Elizabeth Kertész Foundation Fund, 1996.60.1

Clock of the Académie Française

André Kertész · 1929 · gelatin silver print ·  Accession ID  1996.60.1

Michiko Yamawaki, Iwao Yamawaki, Ginza, c. 1932, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2017.95.5

Ginza

Michiko Yamawaki, Iwao Yamawaki · c. 1932 · gelatin silver print ·  Accession ID  2017.95.5

Charles Marville, Hôtel de la Marine, 1864–1870, albumen print, Diana and Mallory Walker Fund, 2006.23.1

Hôtel de la Marine

Charles Marville · 1864–1870 · albumen print ·  Accession ID  2006.23.1

Ruth Orkin, Starlight Roof at the Waldorf, New York City, 1950, gelatin silver print, The Marvin Breckinridge Patterson Fund for Photography, 2000.83.3

Starlight Roof at the Waldorf, New York City

Ruth Orkin · 1950 · gelatin silver print ·  Accession ID  2000.83.3

In this black-and-white photograph, three Black men are in front of a brick building with two tall windows. The man in the center is seated on a chair, his legs crossed. He is wearing a bright white suit with a light-colored tie, white shoes, and a wide-brimmed, light-colored hat. He looks out at us, his face in a neutral position. The chair he sits on is white, with some chipped areas. The man to the left is standing behind a wooden chair with chipped black paint, his hand on its back. He wears a black suit over a white shirt with a gray tie, and he holds a gray hat in his other hand. He has short black hair, and he looks out at us, his mouth is slightly downturned. The man on the right stands behind a gray folding chair. He wears a gray suit with a white shirt and a gray tie. One of his hands is behind his back, and the other holds a white hat at his side. He also has short black hair and looks out at us with his mouth slightly downturned. The ground below the men is gray, with some pieces of white debris. The bottom edge of the photograph appears to be damaged.
James Van Der Zee, Marcus Garvey with George O. Marke and Prince Kojo Tovalou-Houénou, 1924, gelatin silver print, Avalon Fund, 2019.127.6

Marcus Garvey with George O. Marke and Prince Kojo Tovalou-Houénou

James Van Der Zee · 1924 · gelatin silver print ·  Accession ID  2019.127.6

Imre Kinszki, Shadows in Office, 1921-1939, gelatin silver print, Patrons' Permanent Fund, 2004.63.3

Shadows in Office

Imre Kinszki · 1921-1939 · gelatin silver print ·  Accession ID  2004.63.3

Saul Leiter, Through Boards, 1957, printed c. 1998, chromogenic print, Gift of Saul Leiter, 2006.119.2

Through Boards

Saul Leiter · 1957, printed c. 1998 · chromogenic print ·  Accession ID  2006.119.2

Baldwin Lee, Plain Dealing, Louisiana, 1984, gelatin silver print, Alfred H. Moses and Fern M. Schad Fund, 2023.87.13

Plain Dealing, Louisiana

Baldwin Lee · 1984 · gelatin silver print ·  Accession ID  2023.87.13

James Van Der Zee, Child's Funeral, 1929, gelatin silver print with applied color, Avalon Fund, © James Van Der Zee Archive, The Metropolitan Museum of Art, 2019.127.16

Child's Funeral

James Van Der Zee · 1929 · gelatin silver print with applied color ·  Accession ID  2019.127.16

Berenice Abbott, Vanderbilt Avenue from East 46th Street, October 9, 1935, gelatin silver print, The Marvin Breckinridge Patterson Fund for Photography and Robert B. Menschel Fund, 1998.65.1

Vanderbilt Avenue from East 46th Street

Berenice Abbott · October 9, 1935 · gelatin silver print ·  Accession ID  1998.65.1