Provenance

Andrew Edmunds

Explore Selected Works

See all 71 works of art
John Bell, The Reward of Cruelty, 1750, woodcut on thick laid paper, Purchased as the Gift of Ann and Matthew Nimetz, 2012.2.2

The Reward of Cruelty

John Bell · 1750 · woodcut on thick laid paper ·  Accession ID  2012.2.2

Isaac Lodewijk de la Fargue van Nieuwland, Frederica Sophia Wilhelmine, 1779, watercolor over etching with pen and ink and gray and brown ink wash, Anonymous Gift, 2018.142.2

Frederica Sophia Wilhelmine

Isaac Lodewijk de la Fargue van Nieuwland · 1779 · watercolor over etching with pen and ink and gray and brown ink wash ·  Accession ID  2018.142.2

Pierre-Charles Coqueret, Desaix, 1798, mezzotint on laid paper, Ailsa Mellon Bruce Fund, 2013.170.6

Desaix

Pierre-Charles Coqueret · 1798 · mezzotint on laid paper ·  Accession ID  2013.170.6

Friedrich August Brand, Catherine Brandinn, Müllerinn (Miller), 1775, engraving, Purchased as an Anonymous Gift, 2015.16.13

Müllerinn (Miller)

Friedrich August Brand, Catherine Brandinn · 1775 · engraving ·  Accession ID  2015.16.13

Jacques Gamelin, A Winged Skeleton Holding an Anatomical Drawing, 1779, etching and engraving on laid paper, Ailsa Mellon Bruce Fund, 2013.170.5

A Winged Skeleton Holding an Anatomical Drawing

Jacques Gamelin · 1779 · etching and engraving on laid paper ·  Accession ID  2013.170.5

Friedrich Nerly, Il Carnevale di Roma (Carnival in Rome), c. 1829, etching on wove paper, Purchased as the Gift of Vincent J. Buonanno, 2019.152.1

Il Carnevale di Roma (Carnival in Rome)

Friedrich Nerly · c. 1829 · etching on wove paper ·  Accession ID  2019.152.1

William Moss, Francis Jukes, The North Front of Old Somerset House in the Strand, 1777, etching, aquatint, and mezzotint on laid paper, Ailsa Mellon Bruce Fund, 2019.144.1

The North Front of Old Somerset House in the Strand

William Moss, Francis Jukes · 1777 · etching, aquatint, and mezzotint on laid paper ·  Accession ID  2019.144.1

French 19th Century, Aaron Martinet, Les Invisibles en tête-à-tête (Tête-à-Tête with Poke Bonnets), c. 1805, etching with publisher's hand coloring in watercolor on pale green laid paper, Katharine Shepard Fund, 2015.49.4

Les Invisibles en tête-à-tête (Tête-à-Tête with Poke Bonnets)

French 19th Century, Aaron Martinet · c. 1805 · etching with publisher's hand coloring in watercolor on pale green laid paper ·  Accession ID  2015.49.4

Thomas Frye, Self-Portrait, 1760, mezzotint on laid paper, Ailsa Mellon Bruce Fund, 1992.24.1

Self-Portrait

Thomas Frye · 1760 · mezzotint on laid paper ·  Accession ID  1992.24.1

James Gillray, Hannah Humphrey, The Apotheosis of Hoche, 1798, etching, engraving, and aquatint printed in brown on laid paper [proof], Anonymous Gift, 2019.52.1

The Apotheosis of Hoche

James Gillray, Hannah Humphrey · 1798 · etching, engraving, and aquatint printed in brown on laid paper [proof] ·  Accession ID  2019.52.1