Provenance

Mr. Harvey S. Shipley Miller

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A tall, almost sheer rock formation soaring high above snow-capped rocky peaks nearly fills this vertical black and white photograph. The rock formation is rounded along the top and continues off the top right corner and right edge of the composition. A jagged ridge dips down like a narrow wing to our left, and tall trees on the mountain peaks are made minuscule by the formation, the surface of which is textured with long vertical streaks. The sky in the upper left corner of the photograph is steely gray behind a thin ridge of white snow along the curved top of the formation.
Ansel Adams, Monolith, The Face of Half Dome, 1927, gelatin silver print (parmelian print), Harvey S. Shipley Miller Fund, 2004.85.2

Monolith, The Face of Half Dome

Ansel Adams · 1927 · gelatin silver print (parmelian print) ·  Accession ID  2004.85.2

Peter Henry Emerson, The Village of Horning, 1886, platinum print, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.63.1.e

The Village of Horning

Peter Henry Emerson · 1886 · platinum print ·  Accession ID  1995.63.1.e

T.F. Goodall, Peter Henry Emerson, A Reed-Cutter at Work, 1886, platinum print, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.63.1.y

A Reed-Cutter at Work

T.F. Goodall, Peter Henry Emerson · 1886 · platinum print ·  Accession ID  1995.63.1.y

Milton Avery, Head of March, 1951, lithograph in black on laid paper, Gift of Harvey S. Shipley Miller, 1991.72.2

Head of March

Milton Avery · 1951 · lithograph in black on laid paper ·  Accession ID  1991.72.2

Peter Henry Emerson, The Last Gate, in or before 1895, photogravure on wove paper, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.113.1.p

The Last Gate

Peter Henry Emerson · in or before 1895 · photogravure on wove paper ·  Accession ID  1990.113.1.p

Peter Henry Emerson, Setting Up the Bow-Net, 1886, platinum print, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.63.1.r

Setting Up the Bow-Net

Peter Henry Emerson · 1886 · platinum print ·  Accession ID  1995.63.1.r

Peter Henry Emerson, A Ruined Water-Mill, 1886, platinum print, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.63.1.k

A Ruined Water-Mill

Peter Henry Emerson · 1886 · platinum print ·  Accession ID  1995.63.1.k

Jean (Hans) Arp, 11 configurations, published 1945, 1 vol: ill: 11 woodcuts in black on wove paper (woodcut VII repeated on cover); text by Gabrielle Buffet-Picabia; intro. by Max Bill; poem by Jean Arp, Gift of Harvey S. Shipley Miller in memory of Herbert M. and Nanette Rothschild, 1991.72.1

11 configurations

Jean (Hans) Arp · published 1945 · 1 vol: ill: 11 woodcuts in black on wove paper (woodcut VII repeated on cover); text by Gabrielle Buffet-Picabia; intro. by Max Bill; poem by Jean Arp ·  Accession ID  1991.72.1

Peter Henry Emerson, Marsh Leaves, published 1895, 16 photogravures on wove paper, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1990.113.1

Marsh Leaves

Peter Henry Emerson · published 1895 · 16 photogravures on wove paper ·  Accession ID  1990.113.1

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Car and Street Lamp

Ray K. Metzker · 1966, printed c. 1980 · gelatin silver print ·  Accession ID  2005.89.1