Provenance

Thomas le Claire Kunsthandel

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Giovanni Battista Piranesi, A Battle of Nude Men, 1744/1745, pen and dark brown ink with brown and gray-brown wash over red chalk on laid paper pasted down on the remains of the artist's original mount, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.143

A Battle of Nude Men

Giovanni Battista Piranesi · 1744/1745 · pen and dark brown ink with brown and gray-brown wash over red chalk on laid paper pasted down on the remains of the artist's original mount ·  Accession ID  2007.111.143

Hélène Boutourlin, Italian Landscape with a Watermill, 1834, brown wash over graphite on wove paper, Ailsa Mellon Bruce Fund, 1997.46.1

Italian Landscape with a Watermill

Hélène Boutourlin · 1834 · brown wash over graphite on wove paper ·  Accession ID  1997.46.1

Melchior Steidl, Saint Euphrosyne, c. 1695, pen and brown ink with gray wash and touches of graphite, heightened with white, on laid paper, Gift of Thomas Le Claire and Katrin Bellinger, 1997.52.1

Saint Euphrosyne

Melchior Steidl · c. 1695 · pen and brown ink with gray wash and touches of graphite, heightened with white, on laid paper ·  Accession ID  1997.52.1

Johann Heinrich Roos, A Bull Sleeping, c. 1672, pen and brown ink over black chalk on laid paper, Ailsa Mellon Bruce Fund, 2000.86.1

A Bull Sleeping

Johann Heinrich Roos · c. 1672 · pen and brown ink over black chalk on laid paper ·  Accession ID  2000.86.1

Giuseppe Quaglio, A Turkish Palace (Probably for Mozart's "Abduction from the Seraglio"), 1790s, pen and black ink with watercolor, William B. O'Neal Fund, 2013.88.1

A Turkish Palace (Probably for Mozart's "Abduction from the Seraglio")

Giuseppe Quaglio · 1790s · pen and black ink with watercolor ·  Accession ID  2013.88.1

Georg Friedrich Schmidt, Monseigneur Louis-Charles d'Orléans de Saint-Albin, Archbishop of Cambrai, 1741, engraving on laid paper, Ailsa Mellon Bruce Fund, 2004.61.6

Monseigneur Louis-Charles d'Orléans de Saint-Albin, Archbishop of Cambrai

Georg Friedrich Schmidt · 1741 · engraving on laid paper ·  Accession ID  2004.61.6

Georg Friedrich Schmidt, The Old Soldier, c. 1750, etching on laid paper, Ailsa Mellon Bruce Fund, 2004.61.3

The Old Soldier

Georg Friedrich Schmidt · c. 1750 · etching on laid paper ·  Accession ID  2004.61.3

Georg Friedrich Schmidt, Francesco Algarotti, 1752, etching on laid paper, Ailsa Mellon Bruce Fund, 2004.61.1

Francesco Algarotti

Georg Friedrich Schmidt · 1752 · etching on laid paper ·  Accession ID  2004.61.1

Matteo Rosselli, A Male Nude, Half Reclining, 1622/1624, red chalk on light brown laid paper, Wolfgang Ratjen Collection, Patrons' Permanent Fund, 2007.111.152

A Male Nude, Half Reclining

Matteo Rosselli · 1622/1624 · red chalk on light brown laid paper ·  Accession ID  2007.111.152

Jacob Wilhelm Mechau, Albert Christoph Dies, Johann Christian Reinhart, Collection ou Suite de Vues Pittoresques de l'Italie, 1798, portfolio of 71 etchings with text pages, New Century Fund, 2003.86.1-71

Collection ou Suite de Vues Pittoresques de l'Italie

Jacob Wilhelm Mechau, Albert Christoph Dies, Johann Christian Reinhart · 1798 · portfolio of 71 etchings with text pages ·  Accession ID  2003.86.1-71