Provenance

Daniel Katz

Explore Selected Works

See all 11 works of art
Bertel Thorvaldsen, Possibly Lady Georgiana Bingham, model 1816 and/or 1817/1818, carved c. 1821/1824, Carrara marble, Patrons' Permanent Fund, 2011.101.3

Possibly Lady Georgiana Bingham

Bertel Thorvaldsen · model 1816 and/or 1817/1818, carved c. 1821/1824 · Carrara marble ·  Accession ID  2011.101.3

Severo da Ravenna, Rearing Stallion, c. 1500-1510, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.56

Rearing Stallion

Severo da Ravenna · c. 1500-1510 · bronze ·  Accession ID  2022.181.56

Bertel Thorvaldsen, Possibly Lady Louisa Bingham, model 1816 and/or 1817/1818, carved c. 1821/1824, Carrara marble, Patrons' Permanent Fund, 2011.101.2

Possibly Lady Louisa Bingham

Bertel Thorvaldsen · model 1816 and/or 1817/1818, carved c. 1821/1824 · Carrara marble ·  Accession ID  2011.101.2

Bertel Thorvaldsen, Lady Elizabeth Vernon, née Bingham, model 1816 and/or 1817/1818, carved c. 1821, Carrara marble, Patrons' Permanent Fund, 2011.101.1

Lady Elizabeth Vernon, née Bingham

Bertel Thorvaldsen · model 1816 and/or 1817/1818, carved c. 1821 · Carrara marble ·  Accession ID  2011.101.1

Tiziano Aspetti, Apollo with His Lyre, c. 1595, bronze, Gift of Robert H. Smith/Robert H. Smith Collection, 2022.181.62

Apollo with His Lyre

Tiziano Aspetti · c. 1595 · bronze ·  Accession ID  2022.181.62

Sir Alfred Gilbert, Comedy and Tragedy: 'Sic Vita', model 1891-1892, cast probably 1902/1905, bronze, Pepita Milmore Memorial Fund, 1984.67.1

Comedy and Tragedy: 'Sic Vita'

Sir Alfred Gilbert · model 1891-1892, cast probably 1902/1905 · bronze ·  Accession ID  1984.67.1

The head and neck of a clean-shaven man with short, curly hair has been carved from white marble in this freestanding sculpture bust. In this photograph, the man’s face is angled to our left. His forehead is lined, and his brow is deeply furrowed. He has a short, straight nose and a deep dimple in his philtrum over his thin upper lip. His mouth is closed in a line, and a crease cuts through his soft cheek on the side closer to us. His hair is swept forward over his high forehead. The tendons stand out in his neck, and the curved bottom edge of the bust sits on a square pedestal with an inward-curving cove. The sculpture is photographed against a gray background.
Pierre-Jean David d'Angers, Comte Antoine Boulay de la Meurthe, 1832, marble, Patrons’ Permanent Fund and Buffy and William Cafritz Family Sculpture Fund, 2017.116.1

Comte Antoine Boulay de la Meurthe

Pierre-Jean David d'Angers · 1832 · marble ·  Accession ID  2017.116.1

Pierre-Etienne Monnot, The Virgin Mary Swooning over the Dead Body of Christ at the Foot of the Cross, 1710, marble, Patrons' Permanent Fund, 2004.18.1

The Virgin Mary Swooning over the Dead Body of Christ at the Foot of the Cross

Pierre-Etienne Monnot · 1710 · marble ·  Accession ID  2004.18.1

This carved ivory statue shows a mostly nude man standing on a square base with his hands bound to one side as he looks over the other shoulder. In this photograph, his wrists are tied together to our right, and he looks off to our left with his face tucked close to that shoulder. He has a curly beard and long wavy hair, which is pushed back over his shoulders. His lips are parted and his brows gathered. Both feet are planted on the base but most of his weight rests on his straight right leg, on our left, and the other knee is bent. This makes his right hip, on our left, jut out as his torso angles to our right. A loincloth drapes around his hips and ties at his right hip, on our left. His torso, arms, and legs are muscled, and veins stand out on his hands and arms. Some cracks are visible along the surface.
François Duquesnoy, Christ Bound, 1620s, ivory, Patrons' Permanent Fund, 2007.67.1

Christ Bound

François Duquesnoy · 1620s · ivory ·  Accession ID  2007.67.1

North European 18th Century, German 18th Century, Christ Crucified, c. 1700, ivory, Pepita Milmore Memorial Fund, 1997.70.1

Christ Crucified

North European 18th Century, German 18th Century · c. 1700 · ivory ·  Accession ID  1997.70.1