Provenance

Trinity Fine Art Ltd.

Explore Selected Works

See all 49 works of art
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Piazza di S. Marco, vista dalla parta dell'Ascensione (St. Mark's Square, view at the start of Ascension Day)

Antonio Lazzari · 1831 · etching and aquatint on wove paper ·  Accession ID  2010.111.1

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Varii Capricci e Paesi

Gaetano Zompini · 1758/1759 · complete set of 12 etchings and one title page in the first collected edition, Venice, 1786, printed in the rare sanguine color ·  Accession ID  2009.93.1-13

Luigi Valadier, A Salver and an Openwork Base, 1755/1760, pen and brown ink with brown wash over black chalk and graphite on laid paper, laid down on an album sheet, William B. O'Neal Fund, 2016.68.2

A Salver and an Openwork Base

Luigi Valadier · 1755/1760 · pen and brown ink with brown wash over black chalk and graphite on laid paper, laid down on an album sheet ·  Accession ID  2016.68.2

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Piazzetta di S. Marco, vista venendo dall'Orologico (Piazzetta at St. Mark's Square, view coming from the clocktower)

Antonio Lazzari · 1831 · etching and aquatint on wove paper ·  Accession ID  2010.111.3

Venetian 16th Century, The Crowning of the Virgin, second half 16th century, cast bronze, Dunlevy Milbank Foundation Fund, 1992.60.1

The Crowning of the Virgin

Venetian 16th Century · second half 16th century · cast bronze ·  Accession ID  1992.60.1

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Torre dell'Orologico, vista appiedi del Campanile di S. Marco (Clocktower, view from St. Mark's Bell Tower)

Antonio Lazzari · 1831 · etching and aquatint on wove paper ·  Accession ID  2010.111.5

Richard Cosway, Maria Cosway with Her Daughter Louisa, c. 1794, graphite, red and black chalk, and gray and red wash on laid paper, Joan and David Maxwell Fund, 2005.56.1

Maria Cosway with Her Daughter Louisa

Richard Cosway · c. 1794 · graphite, red and black chalk, and gray and red wash on laid paper ·  Accession ID  2005.56.1

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Ponte di Rialto, verso Occidente (Rialto Bridge, toward the west)

Antonio Lazzari · 1831 · etching and aquatint on wove paper ·  Accession ID  2010.111.7

Giovanni Bettati, A Rococo Clock with Sirens, Putti, Masks, and a Bird of Paradise Pointer, pen and brown ink with brown and gray wash over graphite and black chalk on laid paper, Katharine Shepard Fund, 2003.104.1

A Rococo Clock with Sirens, Putti, Masks, and a Bird of Paradise Pointer

Giovanni Bettati · · pen and brown ink with brown and gray wash over graphite and black chalk on laid paper ·  Accession ID  2003.104.1

Luigi Sabatelli I, Vidi, quod aperuisset agnus... (The Four Horsemen of the Apocalypse), 1809/1810, pen and ink over chalk on wove paper back with Asian paper, William B. O'Neal Fund, 2010.40.1

Vidi, quod aperuisset agnus... (The Four Horsemen of the Apocalypse)

Luigi Sabatelli I · 1809/1810 · pen and ink over chalk on wove paper back with Asian paper ·  Accession ID  2010.40.1