Two nude women, painted in vibrant coral peach and bubblegum pink, stand under a red umbrella in a landscape in this stylized, vertical painting. The scene is painted with areas of flat or streaked color with visible brushstrokes throughout. The women and umbrella take up most of the picture. The woman on our left stands facing our right almost in profile. Her skin is vivid peach. Slashes of red outline her breasts, groin, and legs. Her hair, eyes, and eyebrows are painted with black strokes. She stands on one leg and stretches the other in front of her to overlap the far foot of the other woman. The first woman hooks her arm through the elbow of the other, who stands facing us to our right. This second woman has vivid pink skin also outlined in red. Her face is a darker shade of pink, resembling a mask, and her eyes are parallel strokes of black and blue. Her left arm, on our right, hangs by her side, and she holds the umbrella with the other arm. She either wears a hat or her hair is painted with alternating bands of black, red, and brown, and there is a red flower or bow to one side. Black lines in the candy-red umbrella suggest a rib on the underside and the handle. Cobalt-blue branches of a tree above the women has blue and green leaves. The landscape beyond them is made up of bands of acid green, yellow, saturated blue, and cool green.
Ernst Ludwig Kirchner, Two Girls under an Umbrella, 1910, oil on canvas, Collection of Arnold and Joan Saltzman, 1992.58.1

Expressionism

German expressionists used art to respond to the cultural and political upheavals of the early 20th century. They were dissatisfied with social conventions and rejected academic standards of beauty. Instead, they embraced bold distortions; angular, simplified forms; and unnatural colors. 

  • The image features a collection of large, colorful flowers in varied shades of purple, pink, red, blue, orange, yellow, and white. Green stems and leaves surround the colorful flowers. In the top left corner, a figure wearing a hat is partially hidden among the foliage. The paint is applied with thick, visible brushstrokes, and few small details are visible.
  • Two nude women, painted in vibrant coral peach and bubblegum pink, stand under a red umbrella in a landscape in this stylized, vertical painting. The scene is painted with areas of flat or streaked color with visible brushstrokes throughout. The women and umbrella take up most of the picture. The woman on our left stands facing our right almost in profile. Her skin is vivid peach. Slashes of red outline her breasts, groin, and legs. Her hair, eyes, and eyebrows are painted with black strokes. She stands on one leg and stretches the other in front of her to overlap the far foot of the other woman. The first woman hooks her arm through the elbow of the other, who stands facing us to our right. This second woman has vivid pink skin also outlined in red. Her face is a darker shade of pink, resembling a mask, and her eyes are parallel strokes of black and blue. Her left arm, on our right, hangs by her side, and she holds the umbrella with the other arm. She either wears a hat or her hair is painted with alternating bands of black, red, and brown, and there is a red flower or bow to one side. Black lines in the candy-red umbrella suggest a rib on the underside and the handle. Cobalt-blue branches of a tree above the women has blue and green leaves. The landscape beyond them is made up of bands of acid green, yellow, saturated blue, and cool green.
  • The image presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies. The background displays a mix of blue, yellow, and pink colors. At the base of the trees, two red shapes could be compared to small animals or creatures amidst the abstract landscape; one of them perches in a tree, while the other is on the ground, looking up.
  • The painting depicts birch trees and autumn foliage. The composition is filled with tree trunks and leaves, and the largest tree at the center of the image begins at the bottom of the page and appears to continue beyond the upper edge. The color palette includes deep oranges, reds, and yellows for the leaves, with some dark blues and greens suggesting shadows. The sky is partially visible behind a tree on the left side of the image, and it is a dark blue. The paint has been applied in thick, swirling strokes.

Explore more

Article:  What is German Expressionism? 8 Things to Know

This early 20th century art movement sought to convey the intensity of modern life.

You may also like

This square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view that extends into the deep distance to our right. The woman's body is angled to our right but her face turns to us. She has chalk-white, smooth skin with heavily lidded, light brown eyes, and her pale pink lips are closed. Pale blush highlights her cheeks, and she looks either at us or very slightly away from our eyes. Her brown hair is parted down the middle and pulled back, but tight, lively curls frame her face. Her hair turns gold where the light shines on it. She wears a brown dress, trimmed along the square neckline with gold. The front of the bodice is tied with a blue ribbon, and the lacing holes are also edged with gold. A sheer white veil covers her chest and is pinned at the center with a small gold ball. The bush fills the space around her head with copper-brown, spiky leaves. A river winds between trees and rolling hills in the distance to our right. Trees and a town along the horizon, which comes about halfway up the painting, is pale blue under an ice-blue sky.

Painting

Since ancient times, artists have made paintings to tell stories or capture beauty. They’ve used egg tempera, oil, and more recently acrylic to create compositions of all shapes and sizes. The results include radiant altarpieces, striking portraits, luminous landscapes, and abstract expressions.

A nude, pale-skinned woman sits facing away from us on a surface with bunches of blue and green-toned fabrics in this vertical painting. The woman’s right knee and torso angle away from us to the right, but she turns her head a bit to our left so we see the underside of her chin. Her brown hair is pulled up loosely into a high bun. Her right hand rests on fabric bunched on that leg, and her other hand disappears on the far side of lemon-lime green and celestial-blue pile of cloth near the lower left corner of the painting. The background is mostly golden yellow, perhaps a curtain, with some vertical pleats in moss green along the left side. The woman is lit from our right so the edges of her right arm, breast, torso, leg, and neck glow. The scene is loosely painted but has an overall soft, blended look. The artist signed and dated the painting in the top right corner, “Childe Hassam 1912.”

Human Body

The human form is often the foundation of academic artistic training—but accurately depicting anatomy is no easy feat. Many works show the artist’s admiration for the beauty of the human body. Others try to accurately capture a person in motion.