U.S. Thread Company Mills, Willimantic, Connecticut

c. 1893/1897

Julian Alden Weir

Associated Names
Julian Alden Weir

Artist, American, 1852 - 1919

This painting depicts a view from an elevated position. The horizon is in the center of the painting, where the blue sky meets distant green hills. In the middle there is a small structure with a pointed roof and a tall smokestack, partially obscured by green trees. Closest to us, a gray stone bridge curves gracefully in the lower half of the scene, crossing from a gray building on the left towards the bottom right corner of the painting. The bridge spans a wide, light blue river flowing towards the distance. There is a tall tree in the left corner, partially covering the building behind it. The brushstrokes in the painting are soft, and the color palette consists of light pastels and green tones.

Media Options

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Artwork overview


Artwork history & notes

Provenance

(Wickersham Gallery, New York), in 1965; (Robert Carlen, Philadelphia); (Schoelkopf Gallery, New York); sold 1968 to Raymond J. [1916-2005] and Margaret [1915-2005] Horowitz, New York; gift (partial and promised) 1990 to NGA; gift completed 2006.

Associated Names

Exhibition History

1965

  • American Paintings: Exhibition of Oils, Drawings, and Watercolors, Wickersham Gallery, New York, 1965, no. 7, ill.

1973

  • American and Impressionist and Realist Paintings and Drawings from the Collection of Mr. and Mrs. Raymond J. Horowitz, The Metropolitan Museum of Art, New York, 1973, no. 22.

1977

  • Paris - New York: A Continuing Romance, Wildenstein & Company, New York, 1977, no. 82, fig. 80.

1983

  • J. Alden Weir, An American Impressionist, The Metropolitan Museum of Art, New York; The Los Angeles County Museum of Art; The Denver Art Museum, 1983-1984, unnumbered, fig. 5.21.

1991

  • Art for the Nation: Gifts in Honor of the 50th Anniversary of the National Gallery of Art, National Gallery of Art, Washington, D.C., 1991, 244-245, color repro.

1999

  • American Impressionism and Realism: The Margaret and Raymond Horowitz Collection, National Gallery of Art, Washington, D.C., 1999, no. 49, repro.

2014

  • Connecting the World: The Panama Canal at 100, The Dixon Gallery and Gardens, Memphis; Mint Museum Uptown, Charlotte, 2014-2015.

2016

  • A Good Summer's Work: J. Alden Weir, Connecticut Impressionist, Lyman Allyn Art Museum, New London, 2016, no catalogue.

Bibliography

1998

  • Torchia, Robert Wilson, with Deborah Chotner and Ellen G. Miles. American Paintings of the Nineteenth Century, Part II. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 1998: 228-230, color repro.

  • American Impressionism and Realism: The Margaret and Raymond Horowitz Collection. Exh. cat. National Gallery of Art, Washington, 1998-1999: no. 49.

Inscriptions

lower left: J. Alden Weir.

Wikidata ID

Q20190392

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