Italian Woman (La Morieri)

c. 1872

Jean-Baptiste-Camille Corot

Associated Names
Jean-Baptiste-Camille Corot

Artist, French, 1796 - 1875

This painting shows a woman sitting, her body facing the left and her head turned to look at us, with one arm resting on a wooden surface on the right. She has dark hair partially covered by a bright yellow scarf or cap, light skin, deep-set eyes, pale eyebrows, and thin lips set in a neutral expression. She wears a white blouse with wide sleeves that is partially covered by a black bodice with a wide red neckline. Her skirt is black, although in the front she appears to be covered by a blanket or apron with colorful abstract designs in red, tan, and green, with some horizontal black stripes. She also wears large silver hoop earrings, multiple silver necklaces, and a silver ring on her hand. The background is a blend of muted green and brown tones, with a hint of pale blue in the upper left corner.

Media Options

This object’s media is free and in the public domain. Read our full Open Access policy for images.

Artwork overview

  • Medium

    oil on canvas

  • Credit Line

    Gift of the Avalon Foundation

  • Dimensions

    overall: 65.2 × 55.1 cm (25 11/16 × 21 11/16 in.)
    framed: 94.9 x 84.5 x 11.4 cm (37 3/8 x 33 1/4 x 4 1/2 in.)

  • Accession Number

    1954.6.1


Artwork history & notes

Provenance

The artist to (Hector Brame, Paris), c. 1874.[1] Armand-François-Paul des Frisches, comte Doria [1824-1896], château d'Orrouy; (his sale, Galerie Georges Petit, Paris, 4 May 1899, no. 55, as Italienne). Charles Guasco; (his sale, Galerie Georges Petit, Paris, 11 June 1900, no. 13); purchased by Mme Robert Esnault-Pelterie;[2] her son, Robert Esnault-Pelterie [1891-1957], until 1954.[3] (Galerie Nathan, Zurich) and (Sam Salz, New York);[4] sold 10 June 1954 to the Avalon Foundation, New York, for NGA.
[1] Alfred Robaut, L'oeuvre de Corot, Paris, 1905: III:296, no. 2146.
[2] According to the catalogue of a 1910 exhibition at the Galerie Georges Petit, Paris.
[3] See correspondence between Robert Esnault-Pelterie and Jacques Seligmann Gallery dated 1949-1954 in Seligmann papers, Archives of American Art, Washington, Box 34 (copies in NGA curatorial files). Esnault-Pelterie had the painting on consignment with Seligmann until 1954.
[4] Letter dated 26 April 1999 from Galerie Nathan, in NGA curatorial files.

Associated Names

Exhibition History

1910

  • Exposition des chefs d'oeuvre de l'Ecole française, vingt peintures du XIXe siècle, Galeries Georges Petit, Paris, 1910, no. 25

1946

  • Corot, Philadelphia Museum of Art, 1946, no. 71, repro., as La Morieri

1969

  • In Memoriam, Ailsa Mellon Bruce, National Gallery of Art, Washington, D.C., 1969, unnumbered checklist.

1992

  • From El Greco to Cézanne: Masterpieces of European Painting from the National Gallery of Art, Washington, and The Metropolitan Museum of Art, New York, National Gallery of Greece, Athens, 1992-1993, no. 39, repro.

2017

  • Desnudo en el paisaje: Felipe Santiago Gutiérrez (1824-1904), Museo Nacional de Arte, Mexico City, 2017-2018.

2018

  • Corot: Women, Musee Marmottan Monet, Paris; National Gallery of Art, Washington, 2018, no. 14, repro.

Bibliography

1905

  • Robaut, Alfred, and Etienne Moreau-Nélaton. L'Oeuvre de Corot. Catalogue raisonné et illustré. 5 vols. Paris, 1905: 3:no. 296, as La Morieri.

1910

  • Hamel, M. "Exposition des chefs-d'oeuvre de l'ecole française, vingt peintres du XIXe siècle chez Petit," Les Arts (August 1910): 319, repro. as La Morieri

1930

  • Bernheim de Villers, C. Corot, peintre de figures, Paris, 1930: no. 319, repro., as La Morieri.

1951

  • Morse, J.D. "Corot as a Figure Painter," The American Artist 15 (1951): 28-29, repro.

1963

  • Walker, John. National Gallery of Art, Washington, D.C. New York, 1963 (reprinted 1964 in French, German, and Spanish): 323, repro.

1965

  • Summary Catalogue of European Paintings and Sculpture. National Gallery of Art, Washington, 1965: 30.

1968

  • National Gallery of Art. European Paintings and Sculpture, Illustrations. Washington, 1968: 23, repro.

1972

  • Nathan Fine Arts. Dr. Fritz Nathan und Dr. Peter Nathan, 1922-1972. Zürich, 1972: no. 41, repro.

1975

  • European Paintings: An Illustrated Summary Catalogue. National Gallery of Art, Washington, 1975: 76, repro.

  • Walker, John. National Gallery of Art, Washington. New York, 1975: 432, no. 624, color repro.

1984

  • Walker, John. National Gallery of Art, Washington. Rev. ed. New York, 1984: 428, no. 612, color repro.

1985

  • European Paintings: An Illustrated Catalogue. National Gallery of Art, Washington, 1985: 95, repro.

1998

  • Yeide, Nancy. "Hector Brame: An art dealer in nineteenth-century Paris." Apollo (March 1998): 42, fig. 8.

2000

  • Eitner, Lorenz. French Paintings of the Nineteenth Century, Part I: Before Impressionism. The Collections of the National Gallery of Art Systematic Catalogue. Washington, D.C., 2000: 85-88, color repro.

Inscriptions

lower right: COROT

Wikidata ID

Q20188751

You may be interested in

Loading Results